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West Meets East

Western paintings included in the collections of the National Museum of Asian Art illuminate the important exchange of ideas between traditions that continues to this day. James McNeil Whistler painted women in kimonos, and the titles of his works reveal that he was rethinking ideas about painting. Heavily influenced by Eastern aesthetics, his work became more abstract at a time when realism was the accepted form in the West.

This exchange of influences can be seen in Smithsonian collections through all of the arts—visual, written, performance. Design crazes for Chinoiserie and Japonisme objects may have carried ideas and concepts to the Western public, revealing an enduring, if not always accurate, interest in Asia. You can find many examples in the Cooper Hewitt, Smithsonian Design Museum collections. Works by American artists of Asian heritage can be found in the Smithsonian American Art Museum, Hirshhorn, and National Portrait Gallery collections.


Burmese Poppy

Doily

Sidewall - fragment

Frieze

Lotus

Tile

Wanamaker's Men's Store, Philadelphia PA

Frieze

Chintz fragment

Vase

Chintz fragment

Grandmother Michaud Seen against the Light

Pitcher, from a Lemonade Set

Buddha

There is no Buddha Out There

Teapot

"Zen" table setting

Cheney Brothers Printed Silk Satin, 1913

Tree of Life

Pratt House Model

Vase

Buddha Reclining with Base

Tray, from a Lemonade Set

"As a solid rock is not shaken by a strong gale, so wise persons remain unaffected by praise or censure."--Buddha, 5th century, B.C. From the series Great Ideas of Eastern Man.

"Never in this world can hatred be stilled by hatred; it will be stilled only by non-hatred--this is the Law Eternal."--Buddha, 5th century B.C. From the series Great Ideas of Eastern Man.

Buddha

Gertrude Stein

Masedo River, Yosemite, California

New York, New York

El Capitan

Nam June Paik

Tulip and Rose

Lake Mary, Inyo National Forest

Vase

Monument Valley, Arizona, from the series East Meets West


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