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West Meets East

Western paintings included in the collections of the National Museum of Asian Art illuminate the important exchange of ideas between traditions that continues to this day. James McNeil Whistler painted women in kimonos, and the titles of his works reveal that he was rethinking ideas about painting. Heavily influenced by Eastern aesthetics, his work became more abstract at a time when realism was the accepted form in the West.

This exchange of influences can be seen in Smithsonian collections through all of the arts—visual, written, performance. Design crazes for Chinoiserie and Japonisme objects may have carried ideas and concepts to the Western public, revealing an enduring, if not always accurate, interest in Asia. You can find many examples in the Cooper Hewitt, Smithsonian Design Museum collections. Works by American artists of Asian heritage can be found in the Smithsonian American Art Museum, Hirshhorn, and National Portrait Gallery collections.


Allen Ginsberg

City Lights Bookstore, last gathering of poets/artists of the Beat generation

Allen Ginsberg

Henry David Thoreau

Ralph Waldo Emerson

Greeting, poster for the Haizuka Printing House. Second in the series, "Jesus and Buddha"

Transfer to Cathay

The Beatles and Yoko Ono

Ad Reinhardt in his studio

Abstract Painting no. 4

San Francisco, California, from the series East Meets West

Number 88, 1950 (Blue)

Untitled No. 11

Untitled

Bronze Buddha

Robert Irwin

Meditation

red, chinoiserie

Body Dharma

Fragment

Sidewall

The Hawes Design

Textile

Sidewall

NIKOU femme Bonze ou Religieuse Chinoise

Tea Caddy with Chinoiserie Vignettes

Textile

Sidewall

Sidewall

Waistcoat

Waistcoat

Meissen tea bowl and saucer

Tseng Kwong Chi

Chinoiserie Clock

Sidewall


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