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West Meets East

Western paintings included in the collections of the National Museum of Asian Art illuminate the important exchange of ideas between traditions that continues to this day. James McNeil Whistler painted women in kimonos, and the titles of his works reveal that he was rethinking ideas about painting. Heavily influenced by Eastern aesthetics, his work became more abstract at a time when realism was the accepted form in the West.

This exchange of influences can be seen in Smithsonian collections through all of the arts—visual, written, performance. Design crazes for Chinoiserie and Japonisme objects may have carried ideas and concepts to the Western public, revealing an enduring, if not always accurate, interest in Asia. You can find many examples in the Cooper Hewitt, Smithsonian Design Museum collections. Works by American artists of Asian heritage can be found in the Smithsonian American Art Museum, Hirshhorn, and National Portrait Gallery collections.


The Lotos

Ipswich Prints: Lily

Modern Art

Chinoiserie Pavilion

Ipswich Prints: Chrysanthemum

Disneyland, California, from the series East Meets West

Ipswich Prints: Fish leaping a waterfall

Arthur Dow and Henry Kenyon

Head in Landscape

Martha Graham

Glen

Evocation

(Homage to Tobey, portfolio) The Grand Parade

Zen Garden

Hibernation

Round Hill Road

Laurie Anderson

Robert Rauschenberg (with Hummingbird Takahashi)

John Cage

Ad Reinhardt

Sam Francis

Untitled

Cold Mountain 2

Exhibition Poster: James Lee Byars, The Golden Tower, Springer Gallery, Berlin

Water Lily in Sunlight

Adams Memorial

Peonies in the Wind with Kakemono Borders

Greetings 1954

Woman in Subway

Untitled

Fruit Bowl

Nine Tantric Amulets for Jasper Johns

Hinged Canvas

Dancer

Seven Day Diary (Not Knowing), Day One


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