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West Meets East

Western paintings included in the collections of the National Museum of Asian Art illuminate the important exchange of ideas between traditions that continues to this day. James McNeil Whistler painted women in kimonos, and the titles of his works reveal that he was rethinking ideas about painting. Heavily influenced by Eastern aesthetics, his work became more abstract at a time when realism was the accepted form in the West.

This exchange of influences can be seen in Smithsonian collections through all of the arts—visual, written, performance. Design crazes for Chinoiserie and Japonisme objects may have carried ideas and concepts to the Western public, revealing an enduring, if not always accurate, interest in Asia. You can find many examples in the Cooper Hewitt, Smithsonian Design Museum collections. Works by American artists of Asian heritage can be found in the Smithsonian American Art Museum, Hirshhorn, and National Portrait Gallery collections.


The Figurine

Hour of Meditation

Variations in Flesh Colour and Green - The Balcony

Screen

Grueby Vase

The Graphic Art of Mary Cassatt

Imperial Guardian Lion

Evening Glow at Mono Lake

Franz Joseph Kline

Screen

Merce C

Jack Kerouac

Textile Design: Japonisme

Photograph of Chiura Obata painting

The Violet Kimono

New York, New York

Brown Kimono (Portrait of Kathryn Beta la Forque)

Vase

Zen for TV

Byrdcliffe Oak Chiffonier

International Tea Party

Textile

The Stanwood-Mansfield

Lady Nicotine

Meissen tea bowl and saucer

Textile

Textile

Salad Plate

Desk

Nocturne: Blue and Silver--Battersea Reach

Vase

Man in a Black Robe (Victor Hammer Self-Portrait)

Mary Cassatt

The Empress Dowager, Tze Hsi, of China

Vase


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