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Mary Vaux Walcott

Mary Walcott

Mary Walcott's beautiful and accurate drawings of wild flowers are a delightful combination of art and science. Walcott published a five-volume set of her drawings of North American wild flowers, between 1925 and 1928, with proceeds going to the Smithsonian's endowment. Walcott's work was instrumental in the development of a new technique for printing which came to be known as the Smithsonian Process. Learn more about Mary Walcott from Smithsonian historian, Pamela M. Henson, and the Smithsonian American Art Museum's artist profile. 


Maypop (Passiflora incarnata)

Bluegreen Gentian (Gentiana glauca)

Yellow Jessamine (Gelsemium sempervirens)

Ragged Fringe-orchid (Habenaria lacera)

Pacific Dogwood (Cornus nuttallii)

Butterfly Weed (Ascelpias tuberosa)

Naiad Spring Beauty (Claytonia parvifolia)

Alpine Forget-Me-Not (Myosotis alpestris)

Double Bladderpod (Physaria didymocarpa)

Untitled (Autumn Leaves)

Bearberry (Arctostaphylos uva-ursi)

Foxglove Pentstemon (Pentstemon digitalis)

Skeleton Flower (Lygodesmia juncea)

Gilia linanthus parviflorus

Strawberry Bush (Euonymus americanus)

Turtlehead (Chelone glabra)

Spotted Pipsissewa (Chimaphila maculata)

Bellflower (Campanula)

Purple Prairieclover (Petalostemon purpureum)

Drummond Pitcherplant (Sarracenia drummondii)

Red Larkspur (Delphinium nudicale)

Leather Flower (Clematis hirsutissima)

Bladder Campion (Silene latifolia)

Tuliptree (Liriodendron tulipifera)

Small Pyrola (Pyrola minor)

Cut Toothwort (Dentaria laciniata)

Winterberry (Ilex verticillata)

Small Cranberry (Oxycoccus palustris)

Crane-Fly Orchis (Tipularia uniflora)

Desert Mariposa (Calochortus kennedyi)

Yellow Violet (Viola orbiculata)

Devilsclub (Echinopanax horridum)

Rose Mallow (Hibiscus moscheutos)

White Troutlily (Erythronium albidum)

Highbush Blackberry (Rubus argutus)


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