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Mary Vaux Walcott

Mary Walcott

Mary Walcott's beautiful and accurate drawings of wild flowers are a delightful combination of art and science. Walcott published a five-volume set of her drawings of North American wild flowers, between 1925 and 1928, with proceeds going to the Smithsonian's endowment. Walcott's work was instrumental in the development of a new technique for printing which came to be known as the Smithsonian Process. Learn more about Mary Walcott from Smithsonian historian, Pamela M. Henson, and the Smithsonian American Art Museum's artist profile. 


Yellow Willow-Weed (Epilobium lutem)

Untitled (Head of a Child Looking Down)

Large Purple Fringe-Orchid (Habenaria grandiflora)

Giant Helleborine (Epipactia gigantea)

Satinleaf Goldenhead (Enceliopsis covillei)

White Epidendrum (Epidendrum nocturnum)

Strawberry Bush-"Hearts Bustin' with Love" (Euonymus Americanus)

Hybrid Pitcherplant (Sarracenia rubra xs purpurea venosa)

Bristle-Cone Pine (Pinus aristata)

Red Willowweed (Epilobium latifolium)

Bur-forget-me-not (Lappula diffusa)

Jack-in-the-pulpit (Arisaema triphyllum)

Cut Leaf Fleabane (Erigeron compositus nudus)

Nodding Ladies-Tresses (Ibidium cernum)

Wild Rose and Blue-eyed Grass (Rosa species and Sisyrinchium species)

Cannas and Cypress Vine (Canna species and Ipomoea quamoclit)

Meadow Beauty (Rhexia virginica), Rattlesnake Roat (Nabalus albus), Pitcherplant (Sarracenia purpurea)


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