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Mary Vaux Walcott

Mary Walcott

Mary Walcott's beautiful and accurate drawings of wild flowers are a delightful combination of art and science. Walcott published a five-volume set of her drawings of North American wild flowers, between 1925 and 1928, with proceeds going to the Smithsonian's endowment. Walcott's work was instrumental in the development of a new technique for printing which came to be known as the Smithsonian Process. Learn more about Mary Walcott from Smithsonian historian, Pamela M. Henson, and the Smithsonian American Art Museum's artist profile. 


Quakerladies (Houstonia caerulea)

Cranberrybush (Viburnum pauciflorum)

Blue-Eyed Mary (Collinsia verna)

Pink Pussytoes (Antennaria rosea)

Arethusa (Arethusa bulbosa)

Showy Orchids (Orchis spectabilis)

Woolly Arnica (Arnica tomentosa)

On the Road to Monument

Flame Azalea (Azalea lutea)

False Indigo (Baptista bructeata)

California Pitcherplant (Chrysamphora californica)

Crossvine (Anisostichus capreolatus)

Alpine Fernlife (Pedicularis contorta)

Primrose Violet (Viola primulifolia)

Moss Gentian (Gentiana prostrata)

Zenobia (Zenobia cassinifolia)

Shortspur Columbine (Aquilegia brevistyla)

Evergreen Saxifrage (Leptarrhena pyrolifolia)

Jacob's Ladder (Polemonium viscosum)

Beargrass (Xerophyllum tenax)

Pearl Everlasting (Anaphalis margaritacea)

Grassleaf Agoseris (Agoseris graminifolia)

Persimmon (Diospyros virginiana)

Crested Iris (Iris cristata)

Fairy-Bells (Disporum trachycarpum)

Pseudocymopterus montanus

Yellow Lady's Slipper (Cypripedium parviflorum)

(Untitled--Mixed Flowers)

Prickly Poppy (Argemone hispeda)

Calypso (Cytherea bulbosa)

Mourning Groundsel (Senecio lugens)

Hooded Ladies-Tresses (Ibidium strictum)

Arnica (Arnica latifolia)

Spring Beauty (Claytonia lanceolata)

Cardinal Flower (Lobelia cardinalis)


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