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Mary Vaux Walcott

Mary Walcott

Mary Walcott's beautiful and accurate drawings of wild flowers are a delightful combination of art and science. Walcott published a five-volume set of her drawings of North American wild flowers, between 1925 and 1928, with proceeds going to the Smithsonian's endowment. Walcott's work was instrumental in the development of a new technique for printing which came to be known as the Smithsonian Process. Learn more about Mary Walcott from Smithsonian historian, Pamela M. Henson, and the Smithsonian American Art Museum's artist profile. 


Goldenclub (Orontium aquaticum)

Pentstemon (Pentstemon barbatus)

Bogbean (Menyanthes trifoliata)

Penstemon (Penstimon fruiticosus)

Alpine Pointvetch (Oxytropis podocarpa)

Blue Columbine (Aquilegia caerulea)

Tufted Saxifrage (Saxifraga caespitosa)

Kruhsea (Kruhsea streptopoides)

Showy Milkweed (Asclepias speciosa)

Yaupon (Ilex vomitoria)

Buckbean (Menyanthes trifoliata)

Limber Pine (Pinus flexilis)

Swamp Azalea (Azalea viscosa)

Cream Violet (Viola striata)

Western Larch (Larix occidentalis)

Red-Helmet (Pedicularis bracteosa)

Lily (Lilium montanum)

Wild Hyacinth (Brodiaea pulchella)

Alpine Monkey Flower (Mimulus caespitosus)

Woolly Fleabane (Erigeron lanatus)

Sweetvetch (Hedysarum mackenzii)

Cucumber Tree (Magnolia scuminata)

Pansy Violet (Viola pedata)

Wax Trillium (Trillium album)

Wild Sweet Crab (Malus coronaria)

Field Violet (Viola rafinesquii)

Dutchman's Breeches (Bikukulla cucullaria)

Riverbank Gentian (Gentiana affinis)

Self-Heal (Prunella vulgaris)

Bluets (Houstonia serpyllifolia)

Golden Fleabane (Erigeron aureus)

Pacific Dogwood (Cornus nuttallii)

Mountain Hemlock (Tsuga mertensiana)

California Lilac (Ceanothus thyrsiflorus)

Giant Red Paintbrush (Castilleja miniata)


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