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Explore

  • African American Music
  • Roots
  • Jazz and Blues
  • Achievements and Impact
  • Resistance and Politics
  • Connecting Through Music
  • Paintings of Musicians
  • Photographs
  • Instruments
  • NMAAHC Collections
  • Credits

African American Music

Smithsonian Music

Describing the African-American influence on American music in all of its glory an d variety is an intimidating—if not impossible—task. African American influences are so fundamental to American music that there would be no American music without them. People of African descent were among the earliest non-indigenous settlers of what would become the United States, and the rich African musical heritage that they carried with them was part of the foundation of a new American musical culture that mixed African traditions with those of Europe and the Americas. Their work songs, dance tunes, and religious music—and the syncopated, swung, remixed, rocked, and rapped music of their descendants—would become the lingua franca of American music, eventually influencing Americans of all racial and ethnic backgrounds. The music of African Americans is one of the most poetic and inescapable examples of the importance of the African American experience to the cultural heritage of all Americans, regardless of race or origin.

—Steven Lewis, "Musical Crossroads: African American Influence on American Music"

Explore a selection of the Smithsonian's wide range of collections preserving the material history of African American musical history.  


  • National Museum of African American History and Culture 38 Filter by term plus Exclude term minus
  • Smithsonian American Art Museum 18 Filter by term plus Exclude term minus
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  • Remove Set Name: Musical Crossroads close

Photograph of Grandmaster Flash at the Chrysler Building, NYC

Indoor Group Shot of Six Women, Spiritual Fire Singers

Female Rappers, Class of '88

Esperanza Spalding

Pinback button stating "We Shall Overcome"

Photograph of "Wall Mural Tupac Shakur Live by the Gun" by Andre Charles

Public Enemy

Grandmaster Flash Onstage at The Ritz, NYC

Trumpet owned by Louis Armstrong

Jacket made by Joe Emsley and worn by Miles Davis

Promotional card for a piano recital given by Eunice Waymon (Nina Simone)

Junior Wells

Lionel Hampton, The Hippodrome, Memphis, TN

At Her Best, Sarah Vaughan

Street Musicians

Fedora worn by Michael Jackson during Victory tour

Lift Up Thy Voice and Sing

Photograph of MC Lyte in her dressing room

Jazz

O Suzanna Don't You Cry for Me

Folk Scene--Man with Banjo

Ella Fitzgerald, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Vibraphone, used by Lionel Hampton

Quincy Jones

W.C. Handy

Marímbula

Hommage à Bessie Smith

Mahalia Jackson, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Bust of Louis Armstrong

Bessie Smith, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Photograph of Queen Latifah during the filming of "Fly Girl" video

Boucher Five-String Fretless Banjo

Bust of Charlie Parker

Bust of Miles Davis

Nat "King" Cole


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