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Explore

  • African American Music
  • Roots
  • Jazz and Blues
  • Achievements and Impact
  • Resistance and Politics
  • Connecting Through Music
  • Paintings of Musicians
  • Photographs
  • Instruments
  • NMAAHC Collections
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African American Music

Smithsonian Music

Describing the African-American influence on American music in all of its glory an d variety is an intimidating—if not impossible—task. African American influences are so fundamental to American music that there would be no American music without them. People of African descent were among the earliest non-indigenous settlers of what would become the United States, and the rich African musical heritage that they carried with them was part of the foundation of a new American musical culture that mixed African traditions with those of Europe and the Americas. Their work songs, dance tunes, and religious music—and the syncopated, swung, remixed, rocked, and rapped music of their descendants—would become the lingua franca of American music, eventually influencing Americans of all racial and ethnic backgrounds. The music of African Americans is one of the most poetic and inescapable examples of the importance of the African American experience to the cultural heritage of all Americans, regardless of race or origin.

—Steven Lewis, "Musical Crossroads: African American Influence on American Music"

Explore a selection of the Smithsonian's wide range of collections preserving the material history of African American musical history.  


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Music of the African Diaspora

E-mu SP-12 Drum Machine

Rhythmic Blues

Rhythm Band--Harlem

Folk musical instrument

Aretha: Mysterious Lady of Sorrows

Empress of the Blues

Beverly Plays the Blues

Beyoncé

The Celebration

Sweet Adeline

Harlem Musicians

Band at the Savoy Ballroom

Marian Anderson #1

Esperanza Spalding

Junior Wells

Lift Up Thy Voice and Sing

Jazz

O Suzanna Don't You Cry for Me

Folk Scene--Man with Banjo

Ella Fitzgerald, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Vibraphone, used by Lionel Hampton

Quincy Jones

W.C. Handy

Marímbula

Hommage à Bessie Smith

Mahalia Jackson, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Bust of Louis Armstrong

Bessie Smith, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Boucher Five-String Fretless Banjo

Bust of Charlie Parker

Bust of Miles Davis

Nat "King" Cole

The Supremes (Florence Ballard, Diana Ross, Mary Wilson)

Bust of Duke Ellington


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