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  • Temperance
  • The Bottle (subgroup)

Temperance

The Bottle Series

American History Museum

      The Bottle is a series of eight moralistic illustrations drawn by George Cruikshank depicting how alcohol could destroy a family's happiness, health and security. It was inspired by William Hogarth's 18th century painting A Rake's Progress, which showed how a wealthy young man squanders his fortune through gambling and other vices. The Bottle created a sensation when it first appeared in England in 1847 and was enormously popular. The series was produced as prints so that they could be afforded by less affluent buyers because it was believed that alcoholism especially afflicted the urban working class. More expensive versions were also produced both by the original artists and later artists. The Bottle series also led to imitations, dramatic reenactments, and material culture such as tea sets, children’s dishes, and other decorated merchandise.

      The Harry T. Peters America on Stone Collection contains one complete set by the original artist/lithographer George Cruikshank and publisher David Bogue, one complete set by George Gebbie, one complete set by Francis Micheline and David William Moody, one complete set by an unknown print maker, and a single print by Elijah Chapman Kellogg.  Unfortunately, the collection did not contain any prints from the sequel series, “The Drunkard’s Children.  A Sequel to the Bottle.”


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The Bottle: Plate I. The Bottle Is Brought Out for the First Time...designed and etched by George Cruikshank and published by David Bogue

The Bottle: Plate II. He Is Discharged from His Employment for Drunkeness...designed and etched by George Cruikshank and published by David Bogue

The Bottle: Plate III. An Execution Sweeps Off The Greater Part of Their Furniture...designed and etched by George Cruikshank and published by David Bogue

The Bottle: Plate IV. Unable To Find Employment...designed and etched by George Cruikshank and published by David Bogue

The Bottle: Plate V. Cold, Misery, and Want...designed and etched by George Cruikshank and published by David Bogue

The Bottle: Plate VI. Fearful Quarrels, and Brutal Violence Are the Natural Consequences of the Frequent Use of the Bottle by George Cruikshank and published by David Bogue

The Bottle: Plate VII. The Husband, in a State of Furious Drunkeness Kills His Wife...designed and etched by George Cruikshank and published by David Bogue

The Bottle: Plate VIII. The Bottle Has Done Its Work...designed and etched by George Cruikshank and published by David Bogue

The Bottle: Plate I. The Bottle Is Brought Out for the First Time...by lithographers Francis Michelin and David William Moody

The Bottle: Plate II. He Is Discharged From His Employment For Drunkness...by lithographers Francis Michelin and David William Moody

The Bottle: Plate III. An Execution Sweeps Off the Greater Part of Their Furniture...by lithographers Francis Michelin and David William Moody

The Bottle: Plate IV. Unable to Obtain Employment...by lithographers Francis Michelin and David William Moody

The Bottle: Plate V. Cold, Misery and Want...by lithographers Francis Michelin and David William Moody

The Bottle: Plate VI. Fearful Quarrels and Brutal Violence...by lithographers Francis Michelin and David William Moody

The Bottle: Plate VII. The Husband in a State of Furious Drunkenness Kills His Wife...by lithographers Francis Michelin and David William Moody

The Bottle: Plate VIII. The Bottle Has Done Its Work...by lithographers Francis Michelin and David William Moody

The Bottle. It Is Brought Out For The First Time: The Husband Induces His Wife "Just to Take a Drop." by Elijah Chapman Kellogg

The Bottle: I. A Happy Home in Danger From the Bottle...by lithographer George Gebbie

The Bottle: II. The First Result of the Introduction of the Bottle...by lithographer George Gebbie

The Bottle: III. Result of Laziness and Indulgence in Drinking...by lithographer George Gebbie

The Bottle: IV. The Father and Mother are Become Habitual Drunkards...by lithographer George Gebbie

The Bottle: V. In Their Now Miserable Home...by lithographer George Gebbie

The Bottle: VI. Crime...by lithographer George Gebbie

The Bottle: VII. Madness...by lithographer George Gebbie

The Bottle: VIII. The Sins of the Drunken Father are Visited on the Heads of the Children...by lithographer George Gebbie

The Bottle: Plate 1. A Happy Home in Danger from the Bottle by unknown lithographer

The Bottle: Plate 2. The First Result of the Introduction of the Bottle...by unknown lithographer

The Bottle: Plate 3. Result of Laziness and Indulgence in Drinking...by an unknown lithographer

The Bottle: Plate 4. The Father and Mother are Become Habitual Drunkards...by an unknown lithographer

The Bottle: Plate 5. In Their Now Miserable Home...by an unknown lithographer

The Bottle: Plate 6. Through the Constant Use of Liquor He Loses, At Times, All Control of Himself...by an unknown lithographer

The Bottle: Plate 7. Madness.-The Drunkard Becomes a Lunatic over the Body of His Murdered Wife-The Bottle Has Done Its Work.

The Bottle: Plate 8. The Sins of the Drunken Father are Visited on the Heads of the Children...by an unknown lithographer

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