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Explore

  • Transcontinental Railroad
  • Preparation
  • Capitalization
  • Construction
  • Completion
  • Operation
  • Repercussions

Transcontinental Railroad

Completion

American History Museum

Golden Spike

Union Pacific 119 train model with tender car View object record

Union Pacific 119 train model with tender car

View object recordJupiter train model with tender car. View object record

Jupiter train model with tender car.

View object recordReplica of the Ceremonial Last Spike at Promontory, Utah, May 10, 1869. View object record

Replica of the Ceremonial Last Spike at Promontory, Utah, May 10, 1869.

View object recordWooden chip cut from a railroad tie, Promontory, Utah, 1869. View object record

Wooden chip cut from a railroad tie, Promontory, Utah, 1869.

View object record

Traveling west with his mother in June 1869, eight-year-old Hart F. Farwell stopped at Promontory, Utah, to cut a chip from a railroad tie at the site of th.

In Popular Culture

Each line hired their own photographer to document the building of the line and celebrate the company’s efforts. The Union Pacific sent photographer Andrew J. Russell to capture the line from Omaha, while Alfred A. Hart documented the construction of the Central Pacific as it crossed the Sierra. Russel’s stereocards were published as “The Great West Illustrated in a Series of Photographic Views Across the Continent” while Hart’s "Scenes in the Sierra Nevada" depicted the CPRR crossing the mountains. Widely disseminated as stereograph cards, the images achieved a three-dimensional effect when viewed through a stereoscope. The stereoscope combined the left and right views on the stereograph card into one image, which gives the illusion of depth.

Stereograph, 1000 Mile Tree, from A.J. Russell's 'Scenery of the Union Pacific'

Stereograph, 1000 Mile Tree, from A.J. Russell's 'Scenery of the Union Pacific'

Wiggle view of Stereograph, 1000 Mile Tree, from A.J. Russell's 'Scenery of the Union Pacific'  

A process called 'wiggle stereoscopy' can mimic the stereoscope's 3-d effect.


George Peabody

Nathaniel P. Banks

Paul Whiteman in "King of Jazz"

Ambrose Everett Burnside

William Henry Vanderbilt

William Bayard Cutting

Elias Hewitt Williams

Grant and His Generals

Ambrose Everett Burnside

Legrand Lockwood

Anton Seidl

Nathaniel P. Banks

Henry Kimball Hadley

Leonard Bernstein

Album of Portraits of Celebrities

Pablo Casals as a Young Man

Portrait of the Artist's Brother

Champions of the Union

Edouard Henry Harriman

Arturo Toscanini

William Osborne McDowell

Onslow Stearns

James M. Ashley

Pablo Casals

Grenville Mellen Dodge

Marvin Hughitt

Ambrose Everett Burnside

Aaron Copland

Cornelius Vanderbilt II

Pablo Casals

Washington Resigning his Commission

Grenville Mellen Dodge

Artur Bonanzky

Making the Splice between the Shore End and the Ocean Cable [Aboard the Great Eastern]

James Jerome Hill


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