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Explore

  • African American Music
  • Roots
  • Jazz and Blues
  • Achievements and Impact
  • Resistance and Politics
  • Connecting Through Music
  • Paintings of Musicians
  • Photographs
  • Instruments
  • NMAAHC Collections
  • Credits

African American Music

Smithsonian Music

Describing the African-American influence on American music in all of its glory an d variety is an intimidating—if not impossible—task. African American influences are so fundamental to American music that there would be no American music without them. People of African descent were among the earliest non-indigenous settlers of what would become the United States, and the rich African musical heritage that they carried with them was part of the foundation of a new American musical culture that mixed African traditions with those of Europe and the Americas. Their work songs, dance tunes, and religious music—and the syncopated, swung, remixed, rocked, and rapped music of their descendants—would become the lingua franca of American music, eventually influencing Americans of all racial and ethnic backgrounds. The music of African Americans is one of the most poetic and inescapable examples of the importance of the African American experience to the cultural heritage of all Americans, regardless of race or origin.

—Steven Lewis, "Musical Crossroads: African American Influence on American Music"

Explore a selection of the Smithsonian's wide range of collections preserving the material history of African American musical history.  


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Included:

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Black "Sex" jumpsuit owned by James Brown

E-mu SP-12 Drum Machine

Rhythmic Blues

Rhythm Band--Harlem

Folk musical instrument

Aretha: Mysterious Lady of Sorrows

Empress of the Blues

Beverly Plays the Blues

The Celebration

Sweet Adeline

Harlem Musicians

Band at the Savoy Ballroom

Afghan vest worn by Jimi Hendrix

Marian Anderson #1

Jacket made by Joe Emsley and worn by Miles Davis

Junior Wells

Lift Up Thy Voice and Sing

Jazz

O Suzanna Don't You Cry for Me

Folk Scene--Man with Banjo

Ella Fitzgerald, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Vibraphone, used by Lionel Hampton

Marímbula

Mahalia Jackson, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Bust of Louis Armstrong

Bessie Smith, from the unrealized portfolio "Noble Black Women: The Harlem Renaissance and After"

Boucher Five-String Fretless Banjo

Bust of Charlie Parker

Bust of Miles Davis

Purple dress designed by Oscar de la Renta and worn by Whitney Houston

Track sheet used during the recording of "Ladies First" by Queen Latifah

Bust of Duke Ellington

King B-Flat Trumpet, used by Dizzy Gillespie

Bust of Benny Goodman

Prince's Yellow Cloud Electric Guitar

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