The Story of the Armory Show — A selection of digitized documents from across the Archives of American Art's collections.
Walt Kuhn, Kuhn family papers, and Armory Show records — Fully digitized collection. See Series 1: Armory Show Records, Series 2: Association of American Painters and Sculptors, and Walt Kuhn's The Story of the Armory Show (1938).
In Winter 2013, the Archives of American Art Journal published a special 1913 Armory Show issue devoted to the centennial of the exhibition, containing the following essays:
Darcy Tell, "The Armory Show at 100: Primary Documents"
Jenifer Dismukes, "The Geometric Show"
Laurette E. McCarthy, "Armory Show: New Perspectives and Recent Rediscoveries"
Charles H. Duncan, "The Story of the Fiftieth Anniversary of the Armory Show"
Michael R. Taylor, "Marcel Duchamp's Nude Descending a Staircase [No. 2] and the 1913 Armory Show Scandal Revisited"
Milton W. Brown, "Walt Kuhn's Armory Show" Archives of American Art Journal, Vol. 27, No. 2, The Seventy–Fifth Anniversary of the Armory Show (1987), pp. 3–11 http://www.jstor.org/stable/1557428
Laurette E. McCarthy, "The 'Truths' about the Armory Show: Walter Pach's Side of the Story" Archives of American Art Journal, Vol. 44, No. 3/4 (2004), pp. 2–13 http://www.jstor.org/stable/25435091
Garnett McCoy, "The Walt Kuhn Papers" Archives of American Art Journal, Vol. 5, No. 4 (Oct., 1965), pp. 1–6 http://www.jstor.org/stable/1557084
Garnett McCoy, "The Post Impressionist Bomb" Archives of American Art Journal, Vol. 20, No. 1 (1980), pp. 12–17 http://www.jstor.org/stable/1557493
Garnett McCoy, "The Armory Show: A Selection of Primary Documents" Archives of American Art Journal , Vol. 27, No. 2, The Seventy–Fifth Anniversary of the Armory Show (1987), pp. 12–33 http://www.jstor.org/stable/1557429
The 1913 Armory Show was among the most significant episodes in history of American Art. As such, it repeatedly appears in major surveys, textbooks, and other accounts of modern art and U.S. history. Several authors have focussed their attention specifically on the exhibition and relied heavily on materials from the Archives of American Art's collections: