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Patricia Hills papers

Archives of American Art

Finding aid
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Object Details

Summary

The papers of art historian, curator, and educator Patricia Hills measure 46.7 linear feet and 2.19 GB and date from circa 1900-2022, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, Eastman Johnson, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some of this material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

Scope and Contents

The papers of art historian, curator, and educator Patricia Hills measure 46.7 linear feet and 2.19 GB and date from circa 1900-2022, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, Eastman Johnson, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.
sova.aaa.hillspat

GUID

https://n2t.net/ark:/65665/mw94c3f79a5-92b6-4d74-8ddb-d1957923a415

Creator

Hills, Patricia

Names

Women's Caucus for Art
Johnson, Eastman, 1824-1906
Lawrence, Jacob, 1917-2000
Neel, Alice, 1900-1984
Sargent, John Singer, 1856-1925
Stevens, May, 1924-2019

Occupation

Educators -- Massachusetts -- Boston
Art historians -- Massachusetts -- Boston
Museum curators -- New York (State) -- New York

Topic

African American artists
Art, American -- 19th century
Art -- Political aspects
Women artists
Women educators
Women art historians
Women museum curators

Provenance

Donated in 2006, 2018, 2019 and 2022 by Patricia Hills.

Creator

Hills, Patricia

See more items in

Patricia Hills papers

Biographical / Historical

Patricia Hills (1936-) is an art historian, curator, and Professor Emerita of American Art and African American Art at Boston University. Hills obtained a B.A. from Stanford University in Modern European Literature, an M.A. from Hunter College in 1968, where she was advised by Leo Steinberg, and her PhD. from New York University's Institute of Fine Arts. Hills worked as Associate and later Adjunct Curator of 18th and 19th Century American Art at the Whitney Museum of American Art from 1972 until 1987. During that time she organized exhibitions including John Singer Sargent (1986) while progressively becoming more invested as an educator, with teaching positions at Hunter College and the Institute of Fine Arts. In February 2011 she received the Distinguished Teaching of Art History award from the College Art Association. Hills served as the Director of the Boston University Art Gallery from 1980-1989, and began her tenure in the art history department as Associate Professor in 1978. She was co-founder of the Boston Chapter of the Women's Caucus for Art and was highly active in the College Art Association and American Studies Association. She has held fellowships at numerous institutions including the W.E.B. DuBois Institute for African and African American Research at Harvard University, the Smithsonian American Art Museum, the Georgia O'Keeffe Museum Research Center, and the Gilder Lehrman Institute of American History. As a principal author she is responsible for organizing a number of monograph and exhibition catalog publishing efforts including Painting Harlem Modern: The Art of Jacob Lawrence (2010), May Stevens (2005), Eastman Johnson: Painting America (co-authored, 1999), John Singer Sargent (1986), Alice Neel (1983), Social Concern and Urban Realism: American Painting of the 1930s (1983), Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910 (1977), The Painters' America: Rural and Urban Life, 1810-1910 (1974), and The American Frontier: Images and Myths (1973). In addition, Patricia Hills has authored numerous articles for art publications, served as reviewer for College Art Association's CAA Reviews, and has contributed greatly as a peer reviewer and editor. From 1990 to 1999, she served as series editor for six books in the Cambridge Studies in American Visual Culture series, published by Cambridge University Press.

Extent

46.7 Linear Feet
2.19 Gigabytes

Date

circa 1900-2022
bulk 1968-2009

Archival Repository

Archives of American Art

Identifier

AAA.hillspat

Type

Collection descriptions
Archival materials
Gigabytes

Citation

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

Arrangement

The collection is arranged as 12 series. Series 1: Correspondence, circa 1958-2019 (2.6 Linear Feet; Boxes 1-2, 25) Series 2: Project Files, circa 1900-2011 (15.2 Linear Feet; Boxes 3-13, 25-30, 41-50, OV24, 2.11 GB; ER01-ER02, ER06-ER09) Series 3: Whitney Museum Files, circa 1900-2015, bulk 1973-1987 (4.1 Linear Feet; Boxes 13-16, 30) Series 4: Boston University Files, circa 1974-2015 (1.3 linear feet; Boxes 30-31) Series 5: Professional Files, circa 1959-2019 (2.4 linear feet; Boxes 17-18, 32) Series 6: Membership and Affiliation Records, circa 1969-2013 (2 linear feet; Boxes 18-20, 32) Series 7: Museum of Fine Arts Restructuring Files, circa 1997-2005 (1.2 linear feet; Boxes 32-33) Series 8: Writings, circa 1962-2019 (5.4 linear feet; Boxes 20-21, 34-38, 0.068 GB; ER03, ER05) Series 9: Teaching Files, circa 1974-2019 (0.9 linear feet; Box 39) Series 10: Artist Files, circa 1958-2014 (0.9 Linear Feet; Box 21) Series 11: Subject Files, circa 1961-2007 (1.0 linear Feet; Box 22, 0.004 GB; ER04) Series 12: Printed Material, circa 1970-2010 (1.0 linear Feet; Box 23)

Processing Information

The collection was processed and a finding aid prepared by Ryan Evans in 2018, with the 2019 addition processed in 2020, and the 2022 addition processed in 2023 by Ryan Evans. In 2020, the collection donated by Patricia Hills in 2006: Papers relating to the restructuring of the Museum of Fine Arts, Boston, 1997-1999, was merged with her papers. Born-digital materials were processed by Kirsi Ritosalmi-Kisner in 2020 with funding provided by Smithsonian Collection Care and Preservation Fund. Additional born-digital materials from the 2022 addition were processed by Ryan Evans in 2022.

Rights

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Restrictions

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
AAA.hillspat
Large EAD
https://n2t.net/ark:/65665/mw94c3f79a5-92b6-4d74-8ddb-d1957923a415
AAA.hillspat
AAA

Record ID

ebl-1555945837567-1555945837603-0

Showing 1,632 result(s)

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  • Patricia Hills papers 1,632 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 1: Correspondence 188 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 8: Writings / 8.3: Talks, Not Published 184 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / Eastman Johnson / Research Material 144 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 8: Writings / 8.1: Essays, Articles, and Book Chapters 98 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 10: Artist Files 60 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 3: Whitney Museum of American Art Files / John Singer Sargent (Oct. 1986-Jan. 1987) 52 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 11: Subject Files 46 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / Jacob Lawrence / Research Materials 43 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / Jacob Lawrence 42 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / Eastman Johnson / Eastman Johnson Catalogue RaisonnĂ© 41 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / Alice Neel 38 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 5: Professional Files / Consulting / Cambridge University Press, Studies in American Visual Culture series Editor 33 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / Social Concern and Urban Realism: American Painting of the 1930s, District 1199 (1983) 31 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 6: Membership and Affiliation Records / Women's Caucus for Art 30 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / Eastman Johnson / Correspondence 29 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / May Stevens 26 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files 24 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 8: Writings / 8.2: Interviews 21 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 5: Professional Files / Grants 20 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 3: Whitney Museum of American Art Files 19 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 5: Professional Files 18 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 5: Professional Files / Consulting 17 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 9: Teaching Files / Boston University 17 Filter by term plus Exclude term minus
  • Patricia Hills papers / Series 2: Project Files / American Paintings in the Detroit Institute of Arts, Vol. II 16 Filter by term plus Exclude term minus
  • CC0 1,632 Filter by term plus Exclude term minus
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Photographs

Press

Edward Strickland

Letters of Protest Submitted to Trusteed (Aug. 5, 1999)

Research Materials, Anton Refregier

"May Stevens and Benny Andrews: The Politics of Self-Portraiture" American Federation of Arts" (2018)

Correspondence, Lucretia Giese

Das Andere Amerika: Geschichte, Kunst, und Kultur (1983)

Correspondence, Ellen Todd

Catalog, Preface and Acknowledgements

Wall Labels

Letter of Intent and Agreement

Press and Events

Marry Cassatt "Alexander J. Cassatt" Portrait Entry

"Images of Africans in the Civil War and Reconstruction" Salem State College Lecture (Mar. 25, 2002)

Correspondence, Andrew Hemingway

Wyeth Foundation Grant

"The Image of Labot in the Fine Arts and Popular Arts, 1800-1940" University of Lowell (Apr. 30-May 1, 1982)

Artists (Similar), Samuel W. Rowse, Writings, "Gentle Portraits of the Longfellow Era: The Drawings of S.W. Rowse" Drawing (Mar./Apr. 1981)

Gail Levin

Symposium, "American Painting Before 1900: New Perspectives." Dartmouth (Apr. 1985)

"How African American Artists 'Teach' Black History" JFK Presidential Library and Museum (July, 17, 2012)

Prints

Robert Kochler


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