Object Details
Created by
Romare Bearden, American, 1911 - 1988
Owned by
Barnett-Aden Gallery, American, 1943 - 1969
Caption
Romare Bearden is best known for his collages that celebrate African life and community. However, earlier in his career, his work was firmly integrated within the school of American abstraction. Recalling that period, he stated, "I began experimenting in a radically different way. I started to play with pigments, as such, in marks and patches, distorting natural colors and representational objects." At this juncture, Bearden started to incorporate a range of elements: mathematics, jazz, his studies of classical Japanese portrait painters, and Western painters such as 17th-century Dutch artists Pieter de Hooch and Johannes Vermeer. These all served as sources of inspiration for the flatness of his abstraction and his approach to organizing his images within a pictorial space.
Description
This oil painting depicts three abstract figures. Formed out of small rectilinear shapes in bright colors, the figures appear to be moving across an equally abstracted background.
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert L. Johnson
Date
1955
Object number
2015.2.2
Restrictions & Rights
© Romare Bearden Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY
Permission required for use. Proper usage is the responsibility of the user.
Type
paintings
Medium
oil on fiberboard
Dimensions
H x W (painting): 24 × 20 in. (61 × 50.8 cm)
H x W x D (frame): 28 5/8 × 24 3/4 × 1 1/2 in. (72.7 × 62.9 × 3.8 cm)
Place made
New York City, New York, United States, North and Central America
See more items in
National Museum of African American History and Culture Collection
Classification
Visual Arts
Data Source
National Museum of African American History and Culture
Topic
African American
Abstraction
Art
Communities
Urban life
Link to Original Record
Record ID
nmaahc_2015.2.2