Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Sr ISAAC NEWTON

American History Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

    Object Details

    Description

    In 1702, living in London and serving as Master of the Mint, Isaac Newton sat for Godfrey Kneller, the most famous and probably the most expensive portrait painter in London. For this portrait he wore a red banyan and a flowing wig.
    This is one of many engraved copies of that image. The text at the bottom reads “Sr ISAAC NEWTON” and “G. Kneller pinxt” and “Wm. Sharp sculpt” and “G. Kearsley, No 46 Fleet Street.” Newton here looks to his left (rather than to his right as in the Kneller portrait). A laurel branch appears at one side and an oil lamp at the other. Below are figures of a globe, a large lens, a refracting telescope, books, papers, geometrical diagrams, and a woman who probably represents Urania, the muse of astronomy.
    William Sharp (1749-1824) was an engraver in London. George Kearsley (fl. 1758-1791) was a publisher of books and prints. He was also responsible for The Copper Plate Magazine, “a monthly treasure for admirers of the imitative arts.” Our engraving appeared in the 1778 edition of that work.
    Ref: Patricia Fara, Newton. The Making of Genius (New York, 2003).
    Milo Keynes, ed., The Iconography of Sir Isaac Newton to 1800 (Woodbridge, 2005), p. 56.

    Location

    Currently not on view

    date made

    1778

    ID Number

    1987.0076.01

    catalog number

    1987.0076.01

    accession number

    1987.0076

    Object Name

    print

    Physical Description

    paper (overall material)

    Measurements

    overall: 8 1/4 in x 6 3/4 in; 20.955 cm x 17.145 cm

    place made

    United Kingdom: England, London

    See more items in

    Medicine and Science: Physical Sciences
    Science & Mathematics
    Prints from the Physical Sciences Collection

    Data Source

    National Museum of American History

    Metadata Usage

    CC0

    Link to Original Record

    https://n2t.net/ark:/65665/ng49ca746b3-1c33-704b-e053-15f76fa0b4fa

    Record ID

    nmah_1452104
    arrow-up Back to top
    Home
    • Facebook facebook
    • Instagram instagram
    • LinkedIn linkedin
    • YouTube youtube

    • Contact Us
    • Get Involved
    • Shop Online
    • Job Opportunities
    • Equal Opportunity
    • Inspector General
    • Records Requests
    • Accessibility
    • Host Your Event
    • Press Room
    • Privacy
    • Terms of Use