Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Side-handled teapot with design of autumn grasses

Asian Art Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

    Object Details

    Artist

    Miura Ken'ya (1821-1889)

    Description

    Clay: hard, whitish; Raku-type earthenware.
    Glaze: brilliant seal-brown and cream; the latter crackled and slightly iridescent. Lead glazes.
    Decoration: in brown under glaze: bush clover and pampas grass.
    Signature: Kenya
    One of a set: F1904.429.1-8.

    Signatures

    Ken'ya

    Label

    The painted decoration of bush clover and pampas grass, both of which are included among a poetic "seven grasses of autumn," provides seasonal nuance. It could be argued that the curving contour of the reserved white surface suggests the full moon, in which case the theme would be Musashino, a plain in the western Kanto region. This was a reedy hinterland in the poetic imagination, but irreverent critics maintain that it was reallly a mixed hardwood forest managed by locals as a charcoal supply.

    Provenance

    To 1904
    Kosa Honma (1842-1909), to 1904 [1]
    From 1904 to 1919
    Charles Lang Freer (1854-1919), given by Kosa Honma in 1904 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Pottery List, L. 131, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

    Collection

    Freer Gallery of Art Collection

    Exhibition History

    Artists of Edo (November 19, 2005 to May 29, 2006)
    The Potter's Brush: The Kenzan Style in Japanese Ceramics (December 9, 2001 to October 27, 2002)

    Previous custodian or owner

    Honma Kosa (1842-1909) (C.L. Freer source)
    Charles Lang Freer (1854-1919)

    Credit Line

    Gift of Charles Lang Freer

    Date

    late 19th century

    Period

    Meiji era

    Accession Number

    F1904.429.1a-b

    Restrictions & Rights

    Usage conditions apply

    Type

    Vessel

    Medium

    Buff clay with iron glaze and iron pigment under transparent lead glaze

    Dimensions

    H x W x D (overall): 6.9 x 15.1 x 15.7 cm (2 11/16 x 5 15/16 x 6 3/16 in)

    Origin

    Tokyo, Japan

    Related Online Resources

    Google Arts & Culture

    See more items in

    National Museum of Asian Art

    Data Source

    National Museum of Asian Art

    Topic

    iridescence
    ceramic
    autumn
    Meiji era (1868 - 1912)
    tea
    grass
    Japan
    Japanese Art
    Charles Lang Freer collection

    Metadata Usage

    Not determined

    Link to Original Record

    http://n2t.net/ark:/65665/ye36509c364-8547-41d9-a119-5a04cae16112

    Record ID

    fsg_F1904.429.1a-b

    Discover More

    Autumn woods painting.

    Autumn Views: Art That Captures the Mood, Color, and Light of the Fall Season

    marbleized teapot with hand and butterfly

    Time for Tea

    arrow-up Back to top
    Home
    • Facebook facebook
    • Instagram instagram
    • LinkedIn linkedin
    • YouTube youtube

    • Contact Us
    • Get Involved
    • Shop Online
    • Job Opportunities
    • Equal Opportunity
    • Inspector General
    • Records Requests
    • Accessibility
    • Host Your Event
    • Press Room
    • Privacy
    • Terms of Use