Object Details
Artist
Marvin Beerbohm, born Toronto, ON 1908-died North Olmstead, OH 1981
Luce Center Label
The Works Progress Administration invited Marvin Beerbohm to submit a sketch for the Knoxville, Iowa, post office mural. He discussed the commission with the town’s citizens and chose an episode from the community’s early history. On the night of October 10, 1845, the federal government forced the Sac and Fox Indians from their land east of the Red Rock Line. White settlers waited on the border and, at the signal, rushed forward to claim property. Beerbohm took note of the doorway that would intrude into the lower part of his mural, and composed his figures in a semicircle above. He captured the intensity of the event with a chaotic scene of settlers bearing lanterns, torches, and stakes beneath a swirling nighttime sky. After he had installed the mural, a local paper praised him for capturing the “Shouts of excited drivers mingled with the yells of men on horseback carrying torches, flaring in the wind” and “Small children, clinging to their mothers . . . in terror.” (Untitled newspaper clipping, SAAM curatorial file)
Credit Line
Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
Date
1940
Object number
1962.8.48
Restrictions & Rights
Usage conditions apply
Type
Painting
Medium
oil on fiberboard
Dimensions
17 x 32 1/2 in. (43.2 x 82.5 cm.)
See more items in
Smithsonian American Art Museum Collection
Department
Painting and Sculpture
On View
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 36A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source
Smithsonian American Art Museum
Topic
Figure group
Travel\land
History\United States\westward expansion
Study\mural study
New Deal\Treasury Section of Painting and Sculpture\Iowa
Landscape\Iowa\Knoxville
Link to Original Record
Record ID
saam_1962.8.48