Object Details
Creator
Lazzari, Pietro, 1898-1979
Subject
Phillips, Duncan
Rust, John D.
Onassis, Jacqueline Kennedy
Thomas, Norman
Stevenson, Adlai E. (Adlai Ewing)
Roosevelt, Eleanor
Apollo 17 (Spacecraft)
Place of publication, production, or execution
United States
Physical Description
12.84 Linear Feet
Arrangement
The collection is arranged as ten series according to material type. For each series, material within folders is arranged chronologically. Glass plate negatives are housed separately and closed to researchers. Series 1: Biographical Material, 1880-1980 (box 1; 4 folders) Series 2: Correspondence, 1895-1998, undated (boxes 1-2; 1.7 linear ft.) Series 3: Personal Business Records, 1925-1993, undated (box 2; 0.4 linear ft.) Series 4: Notes, 1915-1979, undated (boxes 3, 13, OV 14; 1 linear ft.) Series 5: Writings, 1910-1979, undated (box 4, 13; 0.4 linear ft.) Series 6: Artwork, 1918-1979, undated (boxes 4-5, 13, OV 14; 0.9 linear ft.) Series 7: Printed Material, 1905-1994, undated (boxes 5-8, 13, OV 14; 3.8 linear ft.) Series 8: Photographs, 1878-1980, undated (boxes 8-13, MGP 1, MGP 4; 3.8 linear ft.) Series 9: Motion Picture Film, undated (FC 15; 1 film can) Series 10: Artifact, undated (box 12; 1 folder)
Access Note / Rights
The collection is open for research. Use requires an appointment.
Summary
The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The papers document Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.
Citation
Pietro Lazzari papers, 1878-1998. Archives of American Art, Smithsonian Institution.
Funding
Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Use Note
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials
Also found in the Archives of American Art is one sound tape reel of a transcribed interview with Pietro Lazzari, conducted by Harlan Phillips in 1964.
Biography Note
Pietro Lazzari was born in Rome, on May 15, 1898. At the age of 15, he was apprenticed to Roman sculptor, Jerace. Four years on the Italian front in World War I interrupted his studies, until he could return to the Ornamental School of Rome, where he received a Master Artist degree in 1922. Lazzari's first solo exhibition was at the Theatre of the Independents in Rome. He was also employed by newspaper Il Messaggero to illustrate articles with athletes' portraits.
Lazzari visited the United States in 1925, exhibiting in a group show at the New Gallery in the New York the following year. He also married American social worker Elizabeth Paine in 1926. After four more trips between the United States and Italy, he permanently settled in New York City in 1929. In addition to participating in major art exhibitions, he was hired by a New York newspaper to make courtroom sketches at the Lindbergh kidnapping trial. Divorcing his first wife in 1932, Lazzari married Evelyn Cohen in 1934, and became a U.S. citizen in 1936. Between 1936 and 1942, he worked on four post office murals for the U.S. Section of Fine Arts and began experimentation that led to his own method of painting in polychrome concrete.
In 1942, Lazzari moved to Washington, D.C. and participated in the war effort. He also taught painting and sculpture at The American University, and from 1948 to 1950, he headed the Art Department at Dumbarton College. In 1950, he received a Fulbright Fellowship for research in techniques of Etruscan Art.
Lazzari is known for his bronze busts of humanitarians, most notably Pope Paul VI, Adlai Stevenson, and Eleanor Roosevelt. Represented by the Betty Parsons Gallery in New York, he was also very active in the Washngton, D.C. art community, where he was represented by the Caresse Crosby Gallery.
Pietro Lazzari died on May 1, 1979 in Bethesda, Maryland.
Provenance
The Pietro Lazzari papers were donated to the Archives of American Art in 1989 by Evelyn C. Lazzari, widow of Pietro Lazzari, and in 1998 by her estate.
Location Note
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Record number
(DSI-AAA_CollID)9747
(DSI-AAA_SIRISBib)212114
AAA_collcode_lazzpiet
Type
Prints
Sketchbooks
Photographs
Slides (photographs)
Motion pictures (visual works)
Paintings
Theme
Sketches & Sketchbooks
Lives of artists
Data Source
Archives of American Art
Topic
Portrait sculpture, American -- Washington (D.C.)
Works of art
Muralists -- Washington (D.C.)
Sculpture, American -- Washington (D.C.)
Sculptors -- Washington (D.C.)
Theme
Sketches & Sketchbooks
Lives of artists
Record ID
AAADCD_coll_212114