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Miguel Covarrubias

Portrait Gallery

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
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Object Details

Artist

Edward Henry Weston, 24 Mar 1886 - 1 Jun 1958

Sitter

Miguel Covarrubias, 22 Nov 1904 - 4 Feb 1957

Exhibition Label

Born Mexico City, Mexico
When the vogue for celebrity caricature was at its zenith in the 1920s and 1930s, Miguel Covarrubias ranked as one of the genre’s most inventive and witty practitioners. Only eighteen when he arrived in New York City in 1923, Covarrubias quickly became part of the city’s art world, from Harlem to the West Village. Several of his disarming caricatures debuted in Vanity Fair in January 1924 under the heading, “A Pungent Page of Character Studies from the Pen of a Newcomer.” Covarrubias’s popularity grew further, especially after the publication of a collection of sixty-six of his distinctive drawings in The Prince of Wales and Other Famous Americans (1925). His work remained a fixture in Vanity Fair, the New Yorker, and numerous other venues until the mid-1930s, when a consuming interest in anthropological and ethnological studies eclipsed Covarrubias’s commitment to the art of caricature.
Nacido en Ciudad de México, México
Cuando la moda de las caricaturas de celebridades estaba en su apogeo, durante los años veinte y treinta del siglo pasado, Miguel Covarrubias fue uno de los artistas más inventivos e ingeniosos del género. Con solo dieciocho años de edad cuando llegó a Nueva York en 1923, Covarrubias se integró rápidamente al mundo del arte en la ciudad, desde Harlem hasta el West Village. Varias de sus simpáticas caricaturas hicieron su debut en Vanity Fair en enero de 1924 con el encabezado “Una página mordaz de estudios de personajes, de la pluma de un recién llegado”. Su popularidad aumentó sobre todo después de publicar sesenta y seis de sus idiosincráticos dibujos en la colección The Prince of Wales and Other Famous Americans (El príncipe de Gales y otros americanos famosos, 1925). Su obra continuó apareciendo regularmente en Vanity Fair, el New Yorker y otros medios famosos hasta mediados de la década de 1930, cuando su dedicación al arte de la caricatura fue opacada por su creciente interés en los estudios antropológicos y etnológicos.

Credit Line

National Portrait Gallery, Smithsonian Institution

Date

1926

Object number

NPG.2000.17

Restrictions & Rights

Usage conditions apply

Copyright

© Center for Creative Photography, Arizona Board of Regents

Type

Photograph

Medium

Gelatin silver print

Dimensions

Image/Sheet: 23 × 17.9 cm (9 1/16 × 7 1/16")
Mount: 44.5 × 34.4 cm (17 1/2 × 13 9/16")
Mat: 55.9 × 40.6 cm (22 × 16")

Place

México\México

See more items in

National Portrait Gallery Collection

Location

Currently not on view

Data Source

National Portrait Gallery

Topic

Exterior
Miguel Covarrubias: Arts and Culture\Visual Arts\Artist
Miguel Covarrubias: Male
Miguel Covarrubias: Arts and Culture\Education and Scholarship\Educator
Miguel Covarrubias: Arts and Culture\Visual Arts\Artist\Painter
Miguel Covarrubias: Arts and Culture\Visual Arts\Artist\Caricaturist
Miguel Covarrubias: Arts and Culture\Visual Arts\Artist\Illustrator
Miguel Covarrubias: Arts and Culture\Visual Arts\Art historian
Miguel Covarrubias: Arts and Culture\Education and Scholarship\Scholar\Anthropologist\Ethnologist
Miguel Covarrubias: Visual arts awards\Guggenheim Fellowship
Portrait

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/sm48b664731-a8d1-4f07-af91-7d27d75fa783

Record ID

npg_NPG.2000.17

Discover More

2c Sesquicentennial Exposition single with the Liberty Bell

1926: A Year in the Collections

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