Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

The Man Nobody Killed

African American Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

    Object Details

    Created by

    David Hammons, American, born 1943

    Subject of

    Michael Jerome Stewart, American, 1958 - 1983

    Published by

    Eye Magazine, British, founded 1990

    Caption

    The Man Nobody Killed pays homage to the life and protests around the death of Michael Stewart, an artist and model who was arrested by the New York City Transit Police for writing graffiti on a subway station wall. Stewart was brutally beaten outside the subway station, and again outside the police station. Witnesses saw officers beat him with billy clubs, kick him, and choke him with a nightstick. His injuries were so severe that he was transported to Bellevue Hospital, where he arrived hog-tied and without a pulse. Hospital staff revived him, but he remained in a coma and died of his injuries 13 days later. His death became the subject of protests and work by fellow artists, including Jean-Michel Basquiat and Keith Haring. No officers were charged in his death.

    Description

    A framed stenciled paint and collaged work on printed commercially available cardboard featuring a portrait image of a young man, the artist Michael Stewart, who died after being beaten by New York City Transit Police following an arrest for writing graffiti on a wall in a subway station. Stewart is shows from the shoulders up in stenciled black paint. Across his face is stenciled text that reads "THE MAN NOBODY KILLED” in red paint. There is a white rectangle of paper adhered to the cardboard on top of the stenciled portrait. Located on his neck just below his jaw, the white rectangle has black text that reads “MICHAEL / STEWART / 1958- / 1984.”
    The artwork is stenciled atop a piece of white repurposed commercial cardboard with printing, stamps, and tape on it. In the upper left corner is black printed text "C/G." In the upper right corner is black printed text "BW. 4635 / FILLED." Next to this text is a small stamp in black ink "JUN 14 1983." Below this stamp are two large zeros in brown ink. At center right, appearing under most of Stewart’s face is a cream colored wine label printed in maroon and black text reading: Trefethen / NAPA VALLEY 1981 / PINOT NOIR / Grown, Produced & Bottled By /Trefethen Vineyards / Napa, California, U.S.A. / Alcohol 13.2% by Volume.” In the bottom right hand corner is text that reads "12 x 750 ML.” A piece of brown packing tape is adhered at bottom center and a scribble of red crayon at bottom left. A line of rectangular perforations appears along the left-hand margin and the upper left-hand corner is slightly crumpled.

    Credit Line

    Collection of the Smithsonian National Museum of African American History and Culture

    Date

    1986

    Object number

    2021.19

    Restrictions & Rights

    © David Hammons
    Permission required for use. Proper usage is the responsibility of the user.

    Type

    collages
    portraits

    Medium

    stenciled paint with ink on paper and ink and tape on cardboard

    Dimensions

    H x W (paper): 11 × 8 1/2 in. (27.9 × 21.6 cm)
    H x W x D (Frame): 21 × 19 × 1 1/4 in. (53.3 × 48.3 × 3.2 cm)

    Place depicted

    New York City, New York, United States, North and Central America

    See more items in

    National Museum of African American History and Culture Collection

    Classification

    Visual Arts

    Data Source

    National Museum of African American History and Culture

    Topic

    African American
    Activism
    Art
    Police brutality
    Race relations
    Urban life
    Violence

    Metadata Usage

    CC0

    Link to Original Record

    http://n2t.net/ark:/65665/fd54232be9d-ef83-4e1e-a6d6-698d7600db27

    Record ID

    nmaahc_2021.19

    Discover More

    black woman reclining on a sofa

    African American Artists and Selected Works

    arrow-up Back to top
    Home
    • Facebook facebook
    • Instagram instagram
    • LinkedIn linkedin
    • YouTube youtube

    • Contact Us
    • Get Involved
    • Shop Online
    • Job Opportunities
    • Equal Opportunity
    • Inspector General
    • Records Requests
    • Accessibility
    • Host Your Event
    • Press Room
    • Privacy
    • Terms of Use