Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

At Madrid Coal Mine, New Mexico

American Art Museum

This media is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

    Object Details

    Artist

    Carl Redin, born Sweden 1892-died Los Gatos, CA 1944

    Exhibition Label

    The men of Madrid, New Mexico, went to work every day in these hulking, rusty buildings that led to the coal mines of the Albuquerque and Cerrillos Coal Company. Artist Carl Redin specialized in painting picturesque New Mexico landscapes, but to find "the American Scene" requested by the PWAP, he turned to the mines of Madrid. It was a company town in which every citizen’s life was dominated by coal and the company that owned the mines, stores, and houses. The company provided distractions to keep the miners and their isolated families content—an amusement hall, Christmas and Easter celebrations, Fourth of July parades, a baseball team. The Christmas lights were so famous that they attracted tourists to town. But Redin centered his painting on the grim mines that produced the coal and the train that hauled it away. Sheds, smokestacks, machines, and slag heaps cover the New Mexico hills and smoke fouls the air. Not a human figure is to be seen. Except for the engineer of the train, all the men are underground.1934: A New Deal for Artists exhibition label

    Credit Line

    Smithsonian American Art Museum, Transfer from the U.S. Department of Labor

    Date

    1934

    Object number

    1964.1.166

    Restrictions & Rights

    CC0

    Type

    Painting

    Medium

    oil on canvas

    Dimensions

    30 x 38 in. (76.2 x 96.5 cm)

    See more items in

    Smithsonian American Art Museum Collection

    Department

    Painting and Sculpture

    Data Source

    Smithsonian American Art Museum

    Topic

    Landscape\mountain
    Architecture\industry\mine
    Architecture\vehicle\train
    Travel\land\train
    Landscape\New Mexico\Madrid
    New Deal\Public Works of Art Project\New Mexico

    Metadata Usage

    CC0

    Link to Original Record

    http://n2t.net/ark:/65665/vk77e860b1c-b951-4585-a83c-18b6ed2cc1a2

    Record ID

    saam_1964.1.166

    Discover More

    Greetings from New Mexico  37 cent stamp.

    Explore America: New Mexico

    arrow-up Back to top
    Home
    • Facebook facebook
    • Instagram instagram
    • LinkedIn linkedin
    • YouTube youtube

    • Contact Us
    • Get Involved
    • Shop Online
    • Job Opportunities
    • Equal Opportunity
    • Inspector General
    • Records Requests
    • Accessibility
    • Host Your Event
    • Press Room
    • Privacy
    • Terms of Use