Object Details
Artist
Carl Redin, born Sweden 1892-died Los Gatos, CA 1944
Exhibition Label
The men of Madrid, New Mexico, went to work every day in these hulking, rusty buildings that led to the coal mines of the Albuquerque and Cerrillos Coal Company. Artist Carl Redin specialized in painting picturesque New Mexico landscapes, but to find "the American Scene" requested by the PWAP, he turned to the mines of Madrid. It was a company town in which every citizen’s life was dominated by coal and the company that owned the mines, stores, and houses. The company provided distractions to keep the miners and their isolated families content—an amusement hall, Christmas and Easter celebrations, Fourth of July parades, a baseball team. The Christmas lights were so famous that they attracted tourists to town. But Redin centered his painting on the grim mines that produced the coal and the train that hauled it away. Sheds, smokestacks, machines, and slag heaps cover the New Mexico hills and smoke fouls the air. Not a human figure is to be seen. Except for the engineer of the train, all the men are underground.1934: A New Deal for Artists exhibition label
Credit Line
Smithsonian American Art Museum, Transfer from the U.S. Department of Labor
Date
1934
Object number
1964.1.166
Restrictions & Rights
CC0
Type
Painting
Medium
oil on canvas
Dimensions
30 x 38 in. (76.2 x 96.5 cm)
See more items in
Smithsonian American Art Museum Collection
Department
Painting and Sculpture
Data Source
Smithsonian American Art Museum
Topic
Landscape\mountain
Architecture\industry\mine
Architecture\vehicle\train
Travel\land\train
Landscape\New Mexico\Madrid
New Deal\Public Works of Art Project\New Mexico
Link to Original Record
Record ID
saam_1964.1.166