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Chair

African Art Museum

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    Object Details

    Maker

    Asante artist

    Label Text

    Chairs among the Asante are royal or chiefly regalia and are used on state occasions. Derived from 17th-century European prototypes, they lack the spiritual symbolism of stools but do convey prestige. The number of chairs and the degree of elaboration vary with of importance of the ruler. The asipim is the most common. The name means "I stand firm," a reference both to its own sturdy construction and the stability of the ruler.

    Description

    Low armless chair with slightly inclined backrest with arched top and cast copper alloy finials. The back and seat are of stretched leather attached with brass upholstery tacks. The wood frame is decorated with upholstery tacks, bosses and strips of sheet brass.

    Provenance

    Unknown maker, Ghana, unknown date; left Asante community under unknown circumstances; acquired by Bud C. Holland (1922-1994) with B.C. Holland Gallery, Chicago, unknown date; given to the Institute of Design, Illinois Institute of Technology, Chicago, by 1993; given as a prize in the Institue of Design Sweepstakes to Tom (born 1945) and Rita Bakos (born 1946), Harrisburg, PA, 1993; donated to the National Museum of African Art, 2000.

    Exhibition History

    The Power of Gold: Asante Royal Regalia from Ghana, Dallas Museum of Art, Dallas, Texas, April 15 to August 12, 2018
    BIG/small, National Museum of African Art, Smithsonian Institution, Washington, D.C., January 17-July 23, 2006

    Published References

    Walker, Roslyn A. 2018. The Power of Gold: Asante Royal Regalia from Ghana. Dallas: Dallas Museum of Art. illustrated p. 89
    Hoffman, Ronald. 2007. "'The Bloody Writing is For Ever Torn': Domestic and International Consequences of the First Governmental Efforts to Abolish the Atlantic Slave Trade." Conference DVD set (August 8-12, Accra and Elmina, Ghana). Chapel Hill: The University of North Carolina Press.

    Content Statement

    As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.

    Image Requests

    High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/

    Credit Line

    Gift of Tom and Rita Bakos

    Date

    Late 19th-early 20th century

    Object number

    2000-19-1

    Restrictions & Rights

    Usage conditions apply

    Type

    Decorative Arts

    Medium

    Wood, copper alloy, iron, leather, fur, paint

    Dimensions

    H x W x D: 76.5 x 42.4 x 48.9 cm (30 1/8 x 16 11/16 x 19 1/4 in.)

    Geography

    Ghana

    See more items in

    National Museum of African Art Collection

    Data Source

    National Museum of African Art

    Topic

    Status
    male

    Metadata Usage

    Usage conditions apply

    Link to Original Record

    http://n2t.net/ark:/65665/ys72050c81f-a947-47fa-af26-37afb9e7ed1d

    Record ID

    nmafa_2000-19-1

    Discover More

    Blue, open, shell-like chair upholstered in fabric, resting on chrome legs with ottoman.

    Consider the Chair

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