Object Details
Creator
Eastman, Seth
Engraver
Burt, S.
Scope and Contents
Eastman's list of pictures sent to the American Art Union describes the dance: (from McDermott, page 52) "After the Sioux return from the battle with the scalps they have taken the scalps are dressed, the inside rubbed over with blue clay or vermillion they are then stretched out to a hoop fixed to a pole it is then ready for the dance The scalp is fixed entirely by the Squaws. The medicine men beat time on skins stretched over a keg or made something like a tambourine at the same time singing a monotonous gutteral song. The squaws dance around the scalp in concentric circles. The scalps are carried on the shoulders of some squaws who have lost relatives in battle. After dancing five, ten or fifteen minutes they stop & one of the squaws will state to the assembly that her father, son, brother or husband was killed by a Chippeway [,] Soc or some tribe. She will conclude by saying-"Whose scalp have I got on my shoulder?" Then a grand war whoop is given [and] the dance recommences. The dance continues two or three months until it goes through every village of the tribe. After which the scalp is buried with a good deal of ceremony. Their richest dresses are worn in this dance."
sova.naa.photolot.176_ref8446
Local Numbers
OPPS NEG.3711 C
Local Note
Eastman made a sketch and oil painting of this subject while at Fort Snelling (McDermott, page 52); the oil painting was sold and Eastman's water color made in 1850 for the engraving in Schoolcraft's Indian Tribes of the United States (Volume II, plate 12) was based on his sketch at Fort Snelling. (McDermott, page 52, 61, 85).
Black and white copy negative
Topic
Sioux
Creator
Eastman, Seth
Engraver
Burt, S.
Culture
Dakota -- Mdewakanton
Indians of North America -- Great Plains
Sioux
See more items in
Bureau of American Ethnology negatives
Bureau of American Ethnology negatives / Additional Materials / Eastman, Seth
Biographical / Historical
Bushnell, SMC, volume 87, number 3, 1932, page 8, states that the Dakota Indians sketched and painted by Eastman at Fort Snelling, Minnesota, 1841-1848, were Mdewakanton.
Extent
1 Photograph (8x10 in)
Date
1852
Archival Repository
National Anthropological Archives
Type
Archival materials
Photographs
Genre/Form
Photographs
Existence and Location of Originals
Eastman's water color is now in the Karolik Collection, Museum of Fine Arts, Boston.
NAA.PhotoLot.176_ref8446
Large EAD
https://n2t.net/ark:/65665/nw3a9479404-d664-4266-aa1e-057c14d06de4
NAA.PhotoLot.176
NAA
Record ID
ebl-1628267668517-1628267670938-0