History of music in sound. Vol. 2, Early medieval music up to 1300

Byzantine music. Anastaseos imera (Ode) ; Doxology ; O quando in cruce (Latin version) --Byzantine and Ambrosian hymns. Ote to stavro (Greek version) ; Veni redemptor gentium --Pre-Gregorian music. Pater noster (Mozarabic and Ambrosian versions) ; In pace (Mozarabic and Gregorian versions) --Gregorian music. Lumen ad revelationem-- Nunc dimittis (Antiphonal psalmody) ; Sursum corda, preface, and Sanctus (Liturgical recitative) ; Protector noster (Gradual) ; Domine in virtute (Alleluia) ; Domine non secundum (Tract) ; Sancti Spiritus assit nobis gratia (Sequence) ; Exsultet orbis gaudiis (Hymn) ; Kyrie 'Altissime' -- Liturgical drama. Quem quaeritis in sepulchro? ; Lament, from Play of Daniel --Medieval songs. O admirabilis Veneris ydolum / anon. ; Quant vei l'aloete mover / Bernard de Ventadorn) ; Je ne puis pas si loing fuir / Gace Bruler ; Au tans d'aoust / anon. ; Quant je voi yver retorner / anon. ; Bergeronette / Adam de la Halle ; Tuit cil qui sunt enamourat / anon. ; Tuit mi desir / Thibaut de Navarre ; Chanterai por mon coraige / Guiot de Dijon ; Worldes blis ne last no throwe / anon. ; Ey ich sach in dem trone / Frauenlob ; Quen a. Virgen / anon. ; Como poden per sas culpas / anon. ; O divina virgo / anon. ; Plangiamo quel crudel basciare / anon. --Early polyphony. Sit gloria Domini ; Alleluia, surrexit Christus ; Regi regum glorioso --Spanish polyphony. Rex immense ; Congaudeant catholici --English and Norman polyphony. Verbum patris humanatur ; Orientis partibus ; Sumer is icumen in --Four dance tunes --Three English dance tunes --Conductus. Veri floris sub figura --English polyphony, 13th century. Foweles in the frith ; Ex semine Abrahae ; Mariam sanctificans ; Beata viscera --French and English polyphony, about 1300. O Maria virgo Davidica ; Puellare gremium ; Triumphat hodie --English polyphony, 14th century. Marionette douce ; Rosa fragrans ; Alleluia psallat.