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Six Degrees of Peggy Bacon

Archives of American Art

Six degrees of separation is the theory that anyone in the world is no more than six relationships away from any other person. The idea stretches back to Italian inventor Guglielmo Marconi and it was made famous in a 1967 Harvard study, but John Guare’s 1990 play of the same name pushed the expression into everyday use. Riffing and serious study of the idea continue. The trivia game “Six Degrees of Kevin Bacon” plotted celebrity connections. Last year, scientists at Facebook and the University of Milan determined that the degrees are now a mere 4.74.

The painter Peggy Bacon knew a lot of people in the art world. Taking her as the central figure, the collections of the Archives of American Art reveal the deep and diverse history of art in the United States and beyond. How did the creative, significant, and trivial interactions between student and teacher, artist and dealer, and even lover to lover work? How many degrees separate her art world from ours–and us from her?

Who was Peggy Bacon?

The New York artist Peggy Bacon (1895–1987) is not a household name, but she should be. Her long career was various, productive, and successful. She was famous for her witty caricatures of celebrities and artists; she excelled at printmaking; wrote and illustrated numerous children’s books; and published poetry and novels.

As the only child of Elizabeth Chase and Charles Roswell Bacon, painters who met at the Art Students League in Manhattan, Bacon grew up in an artistic family. She studied at the League herself, taking classes with the most popular teachers of the day, John Sloan, Kenneth Hayes Miller, and George Bellows. She also formed her lifelong circle of friends at the League, and its summer school in Woodstock, New York. In the 1920s, her career took off and her accomplishments are still to be envied: a first one-person show at Alfred Stieglitz’s Intimate Gallery in 1928; in 1934, a book of caricatures, Off With Their Heads, funded by a Guggenheim Fellowship; in 1953, she was nominated for an Edgar Award for the best first mystery novel by an American author for The Inward Eye.

Bacon stood at the center of a vast network of artists, dealers, critics, and family members. Its connections, intersections, and separations can be, by turns, surprising, amusing, or, predictable, and they illustrate the concept of the six degrees of separation.


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Judy Chicago

Italo Scanga letter to Samuel J. Wagstaff

Tony Smith, Nuremberg, Germany letter to Jackson Pollock and Lee Krasner

Jackson Pollock, Alexander Brook, and Freddie Lake

Janice Lowry journal 110

Frida Kahlo, Paris, France letter to Nickolas Muray, New York, N.Y.

Photograph of gathering at the Riveras' San Angel home

Diego Rivera letter to Walter Pach

John Sloan letter to Walter Pach

John Sloan painting

Yoko Ono, John Lennon and Andy Warhol

Ray Johnson mail art to David Bourdon

Ray Johnson invitation to Joseph Cornell

Joseph Cornell, Flushing, N.Y. letter to Marcel Duchamp, New York, N.Y.

Marcel Duchamp letter to Louis George Bouché

Sketch of Louis and Marian Bouché

Map of Paris

Jacob Lawrence letter to Romare Bearden

Jacob Lawrence letter to Philip Howard Evergood

Commentary on the relationship between artists and critics

Notice of dress code in Lake George, N.Y., given to Elizabeth McCausland by Alfred Stieglitz

Alfred Stieglitz

Georgia O'Keeffe posing for Una Hanbury

Buckminster Fuller letter to Una Hanbury

Buckminster Fuller's geodesic dome at the Milan Triennale

Woodstock Artists Association, Woodstock, N.Y. letter to Andrée Ruellan, Shady, N.Y.

Photograph of Peggy Bacon

Elihu Vedder travel diary

World's Columbian Exposition participant list

Winslow Homer

Andrew Wyeth letter to Robert Macbeth

Andrew Wyeth letter to Reginald Marsh

Peggy Bacon letter to Felicia Meyer Marsh

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