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A Celebration of the Piano: Selections From the Archives of American Art

Archives of American Art

The musical and visual arts have always gone hand in hand, particularly in the way that each medium inspires the other. Chopin wrote nocturnes; Whistler painted them. Kandinsky created symphonies with color, and Debussy used notes to create two sets of tone pictures for the piano, appropriately titled Images. Both music and the visual arts have a dual nature: there are technical and theoretical aspects to both, but at the same time, they can be evocative and emotional.

It is no wonder then that visual artists take inspiration from music, or that they might try their hands at the musical arts—particularly the piano, which provides challenge and delight to both the novice and the professional.

As the 300th anniversary of its invention is celebrated, the piano still remains one of the most popular instruments today. This exhibition was prepared to compliment the Smithsonian Institution’s exhibition Piano 300: Celebrating Three Centuries of People and Pianos, at the International Gallery of the S. Dillon Ripley Center.


  • Archives of American Art 21 Filter by term plus Exclude term minus
  • Archival materials 21 Filter by term plus Exclude term minus
  • Photographs 10 Filter by term plus Exclude term minus
  • Correspondence 6 Filter by term plus Exclude term minus
  • Printed materials (object genre) 5 Filter by term plus Exclude term minus
  • 1910s 3 Filter by term plus Exclude term minus
  • 1920s 2 Filter by term plus Exclude term minus
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  • Paris, France 2 Filter by term plus Exclude term minus
  • Florence, Italy 1 Filter by term plus Exclude term minus
  • Nantucket, Mass. 1 Filter by term plus Exclude term minus
  • Henry Botkin papers, circa 1927-1982 3 Filter by term plus Exclude term minus
  • Paul Cadmus letters to Webster Aitken, 1945-1979 3 Filter by term plus Exclude term minus
  • Bruce Handiside Mitchell papers, 1932-1965 and [undated] 2 Filter by term plus Exclude term minus
  • Hyman Kaitz papers relating to Louis Eilshemius, 1933-1978 2 Filter by term plus Exclude term minus
  • Joseph Schillinger papers, 1934-1948 2 Filter by term plus Exclude term minus
  • Prentiss Taylor papers, 1885-1991 2 Filter by term plus Exclude term minus
  • Aline Fruhauf papers, 1926-1976 1 Filter by term plus Exclude term minus
  • Charles Green Shaw papers, 1833-1979, 1686, bulk 1909-1974 1 Filter by term plus Exclude term minus
  • Gertrude Abercrombie papers, circa 1880-1986, bulk 1935-1977 1 Filter by term plus Exclude term minus
  • Louis M. Eilshemius letters and photographs, circa 1892-circa 1931 1 Filter by term plus Exclude term minus
  • Portraits 6 Filter by term plus Exclude term minus
  • Music 5 Filter by term plus Exclude term minus
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  • Portrait painters 2 Filter by term plus Exclude term minus
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  • Exhibitions 1 Filter by term plus Exclude term minus
  • Usage conditions apply 21 Filter by term plus Exclude term minus

Courtlandt Palmer, New York, N.Y. letter to Mary Fanton Roberts

Paul Cadmus, Nantucket, Mass. postcard to Webster Aitken

Paul Cadmus, Weston, Conn. letter to Webster Aitken

Joseph Schillinger graph notation of the rondo of Beethoven's Pathetique

George Gershwin and Henry Botkin

George Gershwin painting portrait of Arnold Schoenberg

Bruce Mitchell painting the Oscar Peterson trio

Louis M. Eilshemius

Louis M. (Louis Michel) Eilshemius to Hyman Kaitz

Louis M. Eilshemius

Henry Botkin outside Promenades exhibit

George Gershwin

Concert d'Oeuvres de Jeunes Compositeurs Americains

Aaron Copeland, Paris, France postcard to Prentiss Taylor, Saratoga Springs, N.Y.

Louis Michel Eilshemius' business card

Some new discoveries in science and art

Six musical moods

Paul Cadmus, Florence, Italy postcard to Webster Aitken, Pittsburgh, Pa.

Joseph Schillinger with a rhythmicon

Bruce Mitchell and Horace Silver at the the Jazz and Art opening at the Jazz Gallery

Erroll Garner

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