West Point of the Air

WEST POINT OF THE AIR. Framed multicolor illustrated print advertising the film "West Point of the Air." At upper right, a shoulder-length illustration of Wallace Beery, winking and wearing a cap and goggles, on a blue background. At top right, sevearl planes fly toward the viewer. At bottom, five men in uniform are shown from the waist up, and an illustration in blue is at the bottom right depicting a man and woman from the shoulders up gazing at each other. Partial text: at top in blue sans-serif lettering, "Wallace BEERY." At center in blue sans-serif lettering, "WEST POINT OF THE AIR." In small blue font at left, "BIGGEST ROMANTIC THRILL SINCE "HELL DIVERS." Below in red font, a list of actors. Additional text below.

Fly Now: The National Air and Space Museum Poster Collection

Throughout their history, posters have been a significant means of mass communication, often with striking visual effect. Wendy Wick Reaves, the Smithsonian Portrait Gallery Curator of Prints and Drawings, comments that "sometimes a pictorial poster is a decorative masterpiece-something I can't walk by without a jolt of aesthetic pleasure. Another might strike me as extremely clever advertising … But collectively, these 'pictures of persuasion,' as we might call them, offer a wealth of art, history, design, and popular culture for us to understand. The poster is a familiar part of our world, and we intuitively understand its role as propaganda, promotion, announcement, or advertisement."

Reaves' observations are especially relevant for the impressive array of aviation posters in the National Air and Space Museum's 1300+ artifact collection. Quite possibly the largest publicly-held collection of its kind in the United States, the National Air and Space Museum's posters focus primarily on advertising for aviation-related products and activities. Among other areas, the collection includes 19th-century ballooning exhibition posters, early 20th-century airplane exhibition and meet posters, and twentieth-century airline advertisements.

The posters in the collection represent printing technologies that include original lithography, silkscreen, photolithography, and computer-generated imagery. The collection is significant both for its aesthetic value and because it is a unique representation of the cultural, commercial and military history of aviation. The collection represents an intense interest in flight, both public and private, during a significant period of its technological and social development.