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Weight

African Art Museum

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    Object Details

    Maker

    Akan artist

    Label Text

    Although often identified with the Asante, the most numerous and best known of the Akan peoples, weights for measuring gold dust were made and used throughout Ghana and Côte d'Ivoire. For more than five centuries, from about 1400 to 1900, Akan smiths cast weights of immense diversity. Their small size made them portable and easy to trade. Each weight was cast individually in the lost-wax method. What resulted was a unique piece, but one that had to be a specific weight to function. The shape or figure of a weight did not correspond to a set unit of measure: a porcupine in one set could equal an antelope in another, or a geometric form in a third. For important transactions, gold dust was placed on one side of a small, handheld balance scale, a weight on the other. Each party to the dealing verified the amount of gold dust using his or her own weights. Weights may act as display pieces implying wealth in both the size of individual weights and the number owned.
    Some figurative weights evoke well-known Akan proverbs, and more than one proverb may apply. This is perhaps particularly true of animal weights. This weight depicting a turtle or tortoise can exemplify the qualities of independence and self-sufficiency as in the proverb "Because the tortoise does not like to belong to any clan, it always bears its coffin along with it."

    Description

    Cast copper alloy figurative weight in the form of a tortoise with a cross design incised on its back and front legs curving towards head and back legs curving inwards.

    Provenance

    Eliot Elisofon, New York, -- to 1973

    Exhibition History

    Visionary: Viewpoints on Africa's Arts, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 4, 2017-ongoing
    Artful Animals, National Museum of African Art, Smithsonian Institution, Washington, D.C., July 1, 2009-July 25, 2010

    Content Statement

    As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.

    Image Requests

    High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/

    Credit Line

    Bequest of Eliot Elisofon

    Date

    18th-late 19th century

    Object number

    73-7-191

    Restrictions & Rights

    Usage conditions apply

    Type

    Sculpture

    Medium

    Copper alloy

    Dimensions

    H x W x D: 1 x 3.5 x 2.5 cm (3/8 x 1 3/8 x 1 in.)

    Geography

    Ghana
    Côte d'Ivoire

    See more items in

    National Museum of African Art Collection

    Exhibition

    Visionary: Viewpoints on Africa's Arts

    On View

    NMAfA, Second Level Gallery (2193)

    Data Source

    National Museum of African Art

    Topic

    turtle
    male
    Trade

    Metadata Usage

    Usage conditions apply

    Link to Original Record

    http://n2t.net/ark:/65665/ys784454e76-6dad-4b4f-a8d8-edbe48ea1de4

    Record ID

    nmafa_73-7-191

    Discover More

    Turtle motif on textile

    The Art and Science of Turtles and Tortoises

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