Object Details
Calligrapher
Mir Ali Haravi
Description
Detached album folio; text: Persian in black nasta'liq script; recto: Two ladies carry flowers; verso: calligraphic panel; two couplets, signed by Ali.
Border: The recto is set in gold rulings surrounded by a black floral scroll on cream-colored paper; the verso is set in gold and black rulings with a green floral and leaf scroll, and a narrow band of red and gold on cream-colored paper.
Marks
Old Matting: N ͦ 65 – ptsx Dec 32, written in pencil
Old Matting: H. Vever, underlined and written in pencil
Old Matting: 1207, written in pencil
Old Matting: Vever 319 A, B, written in pencil
Old Matting: 65 written in pencil
Old Matting: 65 written in pencil
Inscriptions
Reverse: The poor sinful Ali
Provenance
?-1932
Indjoudjian Frères, method of acquisition unknown [1]
1932
Sale, Paris, Hôtel Drouot “Objets d’art du Proche-Orient des grandes époques … provenant de la collection de Indjoudjian" December 19, 1932, lot 65 [2]
1932-1942
Henri Vever (1854-1942), purchased at the Indjoudjian Sale [3]
1942-1947
Jeanne Louise Monthiers (1861-1947), bequest of Henri Vever [4]
1947-1986
Francois Mautin (1907-2003), bequest of Jeanne Louise Monthiers and Henri Vever [5]
From 1986
Arthur M. Sackler Gallery purchased from Francois Mautin [6]
Notes:
[1] See note 2. Indjoudjian Frères was an antiquities dealership based in Paris and New York, owned by the Armenian-born brothers Agop (1871-1951) and Meguerditch (1884-1927).
[2] See Hôtel Drouot “Objets d’art du Proche-Orient des grandes époques … provenant de la collection de Indjoudjian" [auction catalogue] (Paris: December 19, 1932), lot 65. The work is described as « Deux Princesses richement habillées tenant des vases en porcelaine remplis de narcisses. Enluminure indo-persane du XVII
siècle."
[3] An accomplished French jeweler and collector, Henri Vever (1854-1942) amassed a large and impressive collection of works of art during his lifetime. His holdings in Japanese prints and Islamic arts of the books, especially from Iran and India, were among the most important assembled in the early twentieth century. Vever purchased this work at purchased at the Indjoudjian Sale on December 19, 1932, see annotations on the work’s old matting.
[4] Upon Henri Vever’s death on September 25, 1942, his wife, Jeanne Louise Monthiers inherited the work. See exhibits F and G of Agreement of Purchase and Sale of the Henri Vever Collection, January 9, 1986, copy in object file.
[5] Upon the death of Jeanne Louise Monthiers, as stipulated in the will of Henri Vever, the family’s assets were divided evenly between his two grandchildren. His only grandson, Francois Mautin inherited the collection known as “The Henri Vever Collection of Oriental Art and Manuscripts Including Persian and Indian Art and Manuscripts.” This work is part of that collection. See exhibits F and G as cited in note 4.
[6] The Arthur M. Sackler Gallery purchased the entirety of the collection from Francois Mautin on January 9, 1986. See purchase agreement, copy in object file.
Research updated August 14, 2023.
Collection
Arthur M. Sackler Collection
Previous custodian or owner
Indjoudjian Freres
Henri Vever (1854-1942)
Jeanne Louise Monthiers (1861-1947)
François Mautin (1907-2003)
Credit Line
Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
Date
19th century
Accession Number
S1986.431
Restrictions & Rights
Usage conditions apply
Type
Painting
Medium
Opaque watercolor and gold on paper
Dimensions
H x W (overall): 38.8 x 25.6 cm (15 1/4 x 10 1/16 in)
Origin
India
Related Online Resources
Google Arts & Culture
See more items in
National Museum of Asian Art
Data Source
National Museum of Asian Art
Topic
flower
woman
India
South Asian and Himalayan Art
Henri Vever collection
Link to Original Record
Record ID
fsg_S1986.431