Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Spouted vessel with gazelle protome

Asian Art Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

    Object Details

    Label

    Vessels made entirely or in part in the shape of an animal, in both metal and ceramic versions, have a long history in ancient Iran. Only a few examples of this vessel type, however, have surfaced among artifacts of the Sasanian period (ca. 224-651). Chiefly influenced by Roman and Byzantine prototypes and to some extent by Central Asian styles, Sasanian silver plate seldom drew on traditional Iranian vessel forms. Horned animals, such as the ram and this gazelle, appear as quarry on some of the Sasanian silver and gilt plates depicting a royal hunt. With its animal-shaped protome (forepart) joined to a compact horn and furnished with a spout through the animal's mouth, this is an extremely rare example dating from the Sasanian period. This type of vessel embodies an important image and concept: a special liquid, probably wine, was contained in and dispensed from the mouth of an animal that itself held powerful, royal connotations.

    Provenance

    By 1966
    Farhadi and Anavian Collection, New York, New York by October 1966 [1]
    By 1967
    R. & D. Anavian, Tehran, Iran and New York, New York by May 1967 [2]
    From 1967 to 1987
    Dr. Arthur M. Sackler (1913-1987), New York, purchased on May 2, 1967 likely in Tehran, Iran [3]
    From 1987
    Arthur M. Sackler Gallery, gift of Dr. Arthur M. Sackler, New York [4]
    Notes:
    [1] At the time of the publication of Dorothy Shepherd’s article on the rhyton, the piece was in the collection of Farhadi and Anavian, New York. See Dorothy Shepherd, “Two Silver Rhyta,” Bulletin of the Cleveland Museum of Art, 53 (1966), 300 fig. 11. See also object file.
    [2] See invoice dated May 2, 1967, copy in object file, Collections Management Office.
    [3] See note 2.
    [4] Pursuant to the agreement between Dr. Arthur M. Sackler and the Smithsonian Institution, dated July 28, 1982, legal title of the donated objects was transferred to the Arthur M. Sackler Gallery on September 11, 1987.

    Collection

    Arthur M. Sackler Collection

    Exhibition History

    Persia: Ancient Iran and the Classical World (April 6, 2022 to August 8, 2022)
    Animal-Shaped Vessels from the Ancient World: Feasting with the Gods, Heroes and Kings (September 7, 2018 to January 6, 2019)
    Feast Your Eyes: A Taste for Luxury in Ancient Iran (February 4, 2012 - ongoing)
    Glass, Gilding, and Grand Design: Art of Sasanian Iran (224-642) (February 14 to May 20, 2007)
    Les Perses sassanides (224-642): Fastes d'un empire oublie (September 15 to December 30, 2006)
    Le Perses Sassanides ou les Fastes d'un empire oublie (The Persian Sasanians, Luxury Goods from a Forgotten Empire)" (September 15, 2006 to May 20, 2007)
    Antioch: The Lost Roman City (October 7, 2000 to December 30, 2001)
    Weihrauch und Seide: Geld und Lexus aus dem Antiken Orient (January 21, 1996 to April 14, 1996)
    Incense and Silk: Ancient Cultures Along the Silk Road (January 22 to April 14, 1996)
    Luxury Arts of the Silk Route Empires (May 9, 1993 to January 28, 2007)
    Nomads and Nobility: Art from the Ancient Near East (September 28, 1987 to November 1, 1992)
    Treasures from the Smithsonian Institution at the Royal Scottish Museum (August 11, 1984 to November 5, 1984)
    The Royal Hunter: Art of the Sasanian Empire (Winter 1978)

    Previous custodian or owner

    Dr. Arthur M. Sackler (1913-1987)
    R. & D. Anavian
    Farhadi and Anavian Co. (active early 1960s-1973)

    Credit Line

    Gift of Arthur M. Sackler

    Date

    4th century

    Period

    Sasanian period

    Accession Number

    S1987.33

    Restrictions & Rights

    Usage conditions apply

    Type

    Vessel

    Medium

    Silver and gilt

    Dimensions

    H x W x D: 15.5 x 25.4 x 14.1 cm (6 1/8 x 10 x 5 9/16 in)

    Origin

    Iran or Afghanistan

    Related Online Resources

    Google Arts & Culture

    See more items in

    National Museum of Asian Art

    Data Source

    National Museum of Asian Art

    Topic

    gilding
    chasing
    repoussé
    metal
    silver
    lion
    bull
    gazelle
    Sasanian period (ca. 224 - 651)
    Afghanistan
    Iran
    Ancient Near Eastern Art

    Metadata Usage

    Usage conditions apply

    Link to Original Record

    http://n2t.net/ark:/65665/ye3b06377cf-9972-41ae-85d4-d9e803a0cc8d

    Record ID

    fsg_S1987.33

    Discover More

    tile

    Treasures from Ancient Near East

    arrow-up Back to top
    Home
    • Facebook facebook
    • Instagram instagram
    • LinkedIn linkedin
    • YouTube youtube

    • Contact Us
    • Get Involved
    • Shop Online
    • Job Opportunities
    • Equal Opportunity
    • Inspector General
    • Records Requests
    • Accessibility
    • Host Your Event
    • Press Room
    • Privacy
    • Terms of Use