Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Self-portrait

Asian Art Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

Object Details

Artist

Kohno Michisei (1895-1950)

Sitter

Kohno Michisei (1895-1950)

Label

Kohno Michisei, seen here at twenty-two, presents himself in a pose modeled on Western Renaissance master Albrecht Durer's (1471-1528) self-portrait produced in 1500.
Between 1914 and 1924 a remarkable quantity of high-quality portraiture was produced by Japanese artists who blended Western and East Asian painting traditions. While some of these painters had first-hand knowledge of Western painting, most, like Michisei, culled their images from books and magazines. The young artist was raised in an environment filled with powerful iconic images. His father was a portrait photographer, an artist in both Japanese and Western modes, and an active member of the Russian Orthodox Church. These influences are readily apparent in this self-portrait. Michisei's perceptive understanding of classic Western images was based on constant perusal of his father's extensive library; a portrait's potential for psychological and spiritual impact was impressed on him through exposure to religious icons used in the Orthodox liturgy.

Collection

National Museum of Asian Art Collection

Exhibition History

Connecting Stories at the National Museum of Asian Art (April 29, 2023 - ongoing)
Facing East: Portraits from Asia (July 1 to September 4, 2006)
Michisei Kohno who depicted Taisho-realism (December 12, 1998 to January 17, 1999)

Credit Line

Gift of Shuntatsu Kohno and the Kohno family in memory of their father

Date

1917

Period

Taisho era

Accession Number

S1998.115

Restrictions & Rights

Usage conditions apply

Type

Painting

Medium

Oil on canvas

Dimensions

H x W (image): 91.2 × 65.3 cm (35 15/16 × 25 11/16 in)

Origin

Tokyo, Japan

On View

East Building (Arthur M. Sackler Gallery), Gallery 26: Connecting Stories at the National Museum of Asian Art

Related Online Resources

Google Arts & Culture

See more items in

National Museum of Asian Art

Data Source

National Museum of Asian Art

Topic

portrait
Taisho era (1912 - 1926)
self portrait
Japan
Japanese Art

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/ye3063d2e7d-8d80-49c9-9e07-027190394009

Record ID

fsg_S1998.115

Discover More

Suffrage Procession of women holding American flags.

1917: A Year in the Collections

arrow-up Back to top
Home
  • Facebook facebook
  • Instagram instagram
  • LinkedIn linkedin
  • YouTube youtube

  • Contact Us
  • Get Involved
  • Shop Online
  • Job Opportunities
  • Equal Opportunity
  • Inspector General
  • Records Requests
  • Accessibility
  • Host Your Event
  • Press Room
  • Privacy
  • Terms of Use