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Scottish Landscape

American History Museum

Pass of Glencoe
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International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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Object Details

graphic artist

Moran, Thomas

Description

Thomas Moran etched this rugged landscape, Bridge in the Pass of Glencoe, Scotland, in 1882 after his painting of the subject. He and his wife Mary Nimmo Moran, also an etcher, visited Scotland, her birthplace, in the spring of 1882 during a five-month stay (May–October) in the United Kingdom.
This print is the first state of two. The second state was published by Estes and Lauriat of Boston in 1888. Moran showed this print in the New York Etching Club Exhibition in mid-January 1883. For the Club’s catalog of the exhibition, Moran etched a smaller version of this scene.
The bridge, which is known as the Bridge of Three Waters, stands near the site in Glencoe where members of the MacDonald clan were massacred by soldiers from a Campbell regiment during a night in February 1692.

Location

Currently not on view

Credit Line

Jean Leon Gerome Ferris

Date made

1882

ID Number

GA.14737

catalog number

14737

accession number

94830

Object Name

print

Object Type

roulettes
Etching

Physical Description

paper (overall material)
ink (overall material)

Measurements

plate: 24 cm x 30 cm; 9 7/16 in x 11 13/16 in
sheet: 32.5 cm x 47.5 cm; 12 13/16 in x 18 11/16 in
image: 23.5 cm x 30 cm; 9 1/4 in x 11 13/16 in

Related Publication

Morand, Anne and Nancy Friese. The Prints of Thomas Moran in the Thomas Gilcrease Institute of American History and Art

See more items in

Work and Industry: Graphic Arts
Ferris Collection
Communications
Art

Data Source

National Museum of American History

Subject

Landscape

Metadata Usage

CC0

Link to Original Record

https://n2t.net/ark:/65665/ng49ca746a8-75c8-704b-e053-15f76fa0b4fa

Record ID

nmah_1002251

Discover More

An etching of the Normandy countryside. A cliff rises above a beach littered by rocks

The Ferris Collection of Prints

An etching of the Normandy countryside. A cliff rises above a beach littered by rocks

The Ferris Collection of Prints

An etching of the Normandy countryside. A cliff rises above a beach littered by rocks

About

An etching of the Normandy countryside. A cliff rises above a beach littered by rocks

Artist Bios

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