Red Abstraction

Thomas began shifting from representation to abstraction in the late 1950s. She developed her signature style, using “stripes” of bright color, in the mid-1960s. Red Abstraction represents a moment in this evolution, before the artist moved into high-key color and acrylic paint. Rendered in oil paint, the painting testifies to Thomas’s persistent interest in the abstract forms and colors of nature. Its oranges and reds evoke the vibrant foliage of fall, while vertical swipes of black suggest the directional growth of trees.

Alma Thomas was inspired by the garden outside her window and painted images that suggest light flickering through leaves and petals. She used dabs and strokes of paint to express the "new colors through the windowpanes" that appeared every time the plants moved in the wind (Alma Thomas: Phantasmagoria, Michael Rosenfeld Gallery, 2001). Here, the reds, browns, and greens create a warm, heavy mass in the center of the image, which contrasts with the paler shades around the edges. The earthy tones evoke the changing of the leaves during fall, when treetops appear to burst with vibrant color.

". . . through my impressions of nature . . . I hoped to impart beauty, joy, love, and peace." Artist’s statement, in Van Vechten, Recent Painting by Alma W. Thomas: Earth and Space Series, Exhibition Catalogue, Gallery of Fine Arts, 1971