Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Rainier Beer Can

American History Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

Object Details

Description

In 1939, Walter Landor arrived in the United States to help install the British training pavilion at the New York World’s Fair. At twenty-six years old, Landor had left his home in Germany to study art and design in Britain, where he became the youngest Fellow of the Royal Society of Industrial Artists. With whispers of war circulating around Europe, Landor decided to stay in the United States and travelled to the West Coast in search of design work. In 1941, Landor and his new wife Josephine Martinelli founded Walter Landor and Associates (today Landor) in their San Francisco apartment. The company specialized in packaging and label design for a number of iconic brands ranging from Marlboro cigarettes to Aunt Jemima to Sara Lee. As the company expanded, Landor’s base of operations moved from his home through several locations until it settled in 1962 on the Klamath, a docked ferryboat in the San Francisco Bay that would become an iconic part of Landor’s own brand.
In 1952, Sicks’ Rainier Brewing Company of Seattle asked Walter Landor to redesign its entire line of packaging. The success of Landor’s brightly colored designs inspired the company to continue the Jubilee series intended to evoke the feeling of celebration. The Jubilee cans spurred sales to such heights that Rainier continued various series of them for over a decade. The third sequence featured the work of famous cartoonists such as Bob Osborn, William Steig, and Virgil Partch. While the first three series centered around events at which a consumer would normally be drinking beer, the fourth run focused around Rainier’s own themes of brewing, such as “Brewed Naturally” and “Choicest Ingredients.” Bright colors remained the trademark of the brand throughout the rest of the Jubilee series. In 2013, Rainier brought back the first seasonal Jubilee can in fifty years as a call back to their classic design.

Location

Currently not on view

Credit Line

Bequest of Walter and Josephine Landor

ID Number

1993.0393.013

accession number

1993.0393

catalog number

1993.0393.013

Object Name

beer can

Measurements

overall: 12.2 cm x 6.5 cm; 4 13/16 in x 2 9/16 in

Data Source

National Museum of American History

Metadata Usage

CC0

Link to Original Record

https://n2t.net/ark:/65665/ng49ca746ab-b5ae-704b-e053-15f76fa0b4fa

Record ID

nmah_1297496
arrow-up Back to top
Home
  • Facebook facebook
  • Instagram instagram
  • LinkedIn linkedin
  • YouTube youtube

  • Contact Us
  • Get Involved
  • Shop Online
  • Job Opportunities
  • Equal Opportunity
  • Inspector General
  • Records Requests
  • Accessibility
  • Host Your Event
  • Press Room
  • Privacy
  • Terms of Use