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Queen Elizabeth II

African Art Museum

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International media Interoperability Framework
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Object Details

Maker

Undetermined artist

Label Text

Factory print cloth may be manufactured in Europe or Asia for the African market or be made in an African factory and sold anywhere. Generally identified with bright colors and bold designs, it assumes a local name and symbolic meaning. One reason for success of factory printed cloth is the widespread practice of dressing alike for special events--weddings, funerals, anniversaries and especially for political events. Another is the quantity of cloth needed to make an outfit. Factory printed cloth is typically sold in 6 yard lots to women for a skirt and top, plus a shawl or head tie. It may be kept uncut as stored wealth.
The 1920s-1930s saw the introduction of Fancy cloth, large plain blocks of color with photographic imagery. Popular during colonial times, this technique became particularly important with independence. An official visit by Queen Elizabeth II was planned to the colony of Sierra Leone in 1959 as part of her tour of the Commonwealth. The trip was cancelled due to her pregnancy and several commemorative cloth designs already in the shops languished on shelves. The trip, with Prince Philip, finally occured in 1961, the year of Sierra Leone's independence.

Description

Factory printed cloth with a full-length photographic portrait of Queen Elizabeth II in front of a pink map of Africa. Banners reading "ROYAL VISIT" and "1959 SIERRA LEONE" appear below the portrait. Medallions found at the top and bottom borders feature giraffes, palm trees, waterfalls and a village. The background is deep red.

Provenance

Unknown designer, unknown factory, Sierra Leone; purchased by unknown vendor, Sierra Leone, by 1960; sold at a market in Sierra Leone to Lilburne Theurer Senn (born 1930) and Donald A. Theurer (1927-1996), Signal Hill, Sierra Leone, 1960 [1]; by descent to Lilburne Theurer Senn, Clemson, S.C., 1996; donated to the National Museum of African Art, Washington, D.C., 2002.
[1] Donald Theurer worked for Ford Motor Company in Sierra Leone, while Lilburne Theurer operated a hostel travelers and tourists (in Freetown, 1956-1959 and in Signal Hill, 1959-1962)

Exhibition History

Festival of African American Literature and the Arts, The Brooks Center, Clemson University, South Carolina, September 17-21, 2001

Content Statement

As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.

Image Requests

High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/

Credit Line

Gift of Donald A. Theuer and Lilburne Theuer Senn

Date

1960

Object number

2002-9-3

Restrictions & Rights

Usage conditions apply

Type

Textile and Fiber Arts

Medium

Cotton, dye

Dimensions

H x W: 120 x 90.1 cm (47 1/4 x 35 1/2 in.)

Geography

Sierra Leone

See more items in

National Museum of African Art Collection

Data Source

National Museum of African Art

Topic

Commemorative
foreigner
Writing
giraffe
male

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/ys74232afb9-b651-4ecd-a39f-1053552212ce

Record ID

nmafa_2002-9-3

Discover More

Queen Elizabeth.

Queens: Women Who Rule

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