Object Details
Artist
Unidentified
Sitter
unidentified
Luce Center Label
It is not always possible to identify the sitter in a miniature portrait, and research is still being done on some of the works in the Museum’s collection. Miniatures became popular in England during the early 1700s, commissioned by wealthy families on the occasions of births, engagements, weddings, and bereavements. These paintings, elaborately set into lockets or brooches, provided the wearer with a sentimental connection to a loved one. The back of the miniature often revealed a lock of the sitter’s hair, symbolizing affection, commitment, or loss. The daguerreotype, invented in 1839, provided a cheaper, faster alternative, and portrait miniatures grew less popular. At the turn of the twentieth century, with the establishment of the American Society of Miniature Painters, miniatures enjoyed a brief revival.
Credit Line
Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer
Date
ca. 1810-1835
Object number
1999.27.69
Restrictions & Rights
CC0
Type
Painting-Miniature
Medium
watercolor on ivory
Dimensions
image (oval): 2 1/2 x 2 in. (6.3 x 5.0 cm)
See more items in
Smithsonian American Art Museum Collection
Department
Painting and Sculpture
Data Source
Smithsonian American Art Museum
Topic
Portrait male\bust
History\United States\Connecticut
Link to Original Record
Record ID
saam_1999.27.69