Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Painting - Cross Ratio in an Ellipse (Poncelet)

American History Museum

Cross Ratio in an Ellipse (Poncelet-Chasles)
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer
  • Cross Ratio in an Ellipse (Poncelet-Chasles)
  • Diagram from James R. Newman, The World of Mathematics, p. 634
  • Diagram from James R. Newman, The World of Mathematics, p. 632
  • Diagram for Paintings Pencil of Ratios (Monge), Cross-Ratio in a Conic (Poncelet), and Cross Ratio in an Ellipse (Poncelet)
  • Diagram for Paintings Pencil of Ratios (Monge), Cross-Ratio in a Conic (Poncelet), and Cross Ratio in an Ellipse (Poncelet)

    Object Details

    referenced

    Poncelet, Jean-Victor

    painter

    Johnson, Crockett

    Description

    From ancient times, mathematicians have studied conic sections, curves generated by the intersection of a cone and a plane. Such curves include the parabola, hyperbola, ellipse, and circle. Each of these curves may be considered as a projection of the circle. Nineteenth-century mathematicians were much interested in the properties of conics that were preserved under projection. They knew from the work of the ancient mathematician Pappus that the cross ratio of line segments created by two straight lines cutting the same pencil of lines was a constant (a pencil of lines is a set of lines emanating from a common point). In the drawing, which is Figure 5 from an article by Morris Kline in James R. Newman's The World of Mathematics (1956), if line segment l’ crosses lines emanating from the point O at points A’, B’, C’, and D’; and line segment l croses the same lines at points A, B, C, and D, the cross ratio:
    (A’C’/C’B’) / (A’D’/D’B’) = (AC/BC) / (AD/DB), in other words it is independent of the cutting line. (see Crockett Johnson's painting Pencil of Ratios (Monge)).
    The French mathematician Michel Chasles introduced a related result, which is the subject of this painting. He considered two points on a conic section (such as an ellipse) that were both linked to the same four other points on the conic. He found that lines crossing both pencils of rays had the same cross ratio. Moreover, a conic section could be characterized by its cross ratio. This opened up an entirely different way of describing conic sections. Crockett Johnson associated this painting with both Chasles and another French advocate of projective geometry, Victor Poncelet.
    The painting, in oil or acrylic on masonite, is #69 in the series. It has a dark gray or blue background and a black wooden frame. It shows a white ellipse, two points on the ellipse (on the left side of the painting), and two pencils of lines that produce the same cross ratio. The painting is not signed. It is inscribed on the back, in Crockett Johnson’s hand: CROSS RATIO IN AN ELLIPSE (PONCELET) (/) Crockett Johnson 1968. Compare #21 (1979.1093.15).
    Reference: Morris Kline in James R. Newman, The World of Mathematics (1956), p. 634. This volume was in Crockett Johnson's library. The figure on this page is annotated.

    Location

    Currently not on view

    Credit Line

    Ruth Krauss in memory of Crockett Johnson

    date made

    1968

    ID Number

    1979.1093.44

    accession number

    1979.1093

    catalog number

    1979.1093.44

    Object Name

    painting

    Physical Description

    masonite (substrate material)
    wood (frame material)

    Measurements

    overall: 79 cm x 65 cm x 1 cm; 31 1/8 in x 25 9/16 in x 3/8 in

    See more items in

    Medicine and Science: Mathematics
    Science & Mathematics
    Crockett Johnson
    Art

    Data Source

    National Museum of American History

    Metadata Usage

    CC0

    Link to Original Record

    https://n2t.net/ark:/65665/ng49ca746a5-27a9-704b-e053-15f76fa0b4fa

    Record ID

    nmah_694668

    Discover More

    Painting of a isosceles triangular shape with a rounded base. Shades progress from dark to lighter tints of purple to show pendulum motion

    Mathematical Paintings of Crockett Johnson

    Painting of a isosceles triangular shape with a rounded base. Shades progress from dark to lighter tints of purple to show pendulum motion

    Mathematical Paintings of Crockett Johnson

    Painting Numbers in a Spiral

    Where Art Meets Math

    Painting of a isosceles triangular shape with a rounded base. Shades progress from dark to lighter tints of purple to show pendulum motion

    About

    Painting of a isosceles triangular shape with a rounded base. Shades progress from dark to lighter tints of purple to show pendulum motion

    Resources

    arrow-up Back to top
    Home
    • Facebook facebook
    • Instagram instagram
    • LinkedIn linkedin
    • YouTube youtube

    • Contact Us
    • Get Involved
    • Shop Online
    • Job Opportunities
    • Equal Opportunity
    • Inspector General
    • Records Requests
    • Accessibility
    • Host Your Event
    • Press Room
    • Privacy
    • Terms of Use