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Painting - Aligned Triangles (Desargues)

American History Museum

Aligned Triangles (DESARGUES)
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  • Aligned Triangles (DESARGUES)
  • Diagram from James R. Newman, The World of Mathematics, p. 133
  • Diagram from H.S.M. Coxeter, The Real Projective Plane, p. 7
  • Diagram from Dorrie, Heinrich, trans. David Antin, 100 Great Problems of Elementary Mathematics: Their History and Solution, p. 255
  • Diagram from Dorrie, Heinrich, trans. David Antin, 100 Great Problems of Elementary Mathematics: Their History and Solution, p. 266
  • Diagram from Dorrie, Heinrich, trans. David Antin, 100 Great Problems of Elementary Mathematics: Their History and Solution, p. 267
  • Diagram for Painting Aligned Triangles
  • Diagram for Painting Aligned Triangles (DESARGUES)
  • Diagram for Painting Aligned Triangles (DESARGUES)
  • Diagram for Aligned Triangles (DESARGUES)
  • Diagram for Aligned Triangles (DESARGUES)

    Object Details

    referenced

    Desargues, Girard

    painter

    Johnson, Crockett

    Description

    In the 17th century, the French engineer and architect Girard Desargues (1591–1661) explored interconnections between extensions of the lines within a pencil of three line segments (a pencil of line segments consists of several line segments originating at a common point). His theorems, as published in his own extremely obscure work and also by his contemporary, Abraham Bosse, were extended in the 19th century, and proved of fundamental importance to projective geometry.
    Crockett Johnson's library contains discussions of Desargues' theorem by H. S. M. Coxeter, N. A. Court, Heinrich Dorrie, and William M. Ivins. This painting most resembles a figure from Coxeter, although the diagram is not annotated. Suppose that the vertices of two triangles (PQR and P'Q'R' in Figure 1.5B from Coxeter) lie on a pencil of three line segments emanating from the point O. Suppose that similarly situated sides of the two triangles can be extended to meet in the three points denoted by A, C and B in the figure. According to Desargues' theorem, A, C, and B are collinear.
    In the painting, the two concurrent triangles are shown in shades of gray and black, while the top of the pencil of three lines is in shades of gold. Extensions of the sides and their points of intersection are clearly shown. Both the figure and the background of the painting are divided by the line joining the points of intersection
    The painting is #63 in the series. It is painted in oil or acrylic on masonite, and has a brown wooden frame. The painting is signed: CJ70.
    References:
    Newman, J. R., The World of Mathematics, p. 133. Figure annotated.
    Court, N. A., College Geometry (1952), pp. 163–5. The figure is not annotated.
    Coxeter, H. S. M., The Real Projective Plane, (1955 edition), p. 7. The figure resembles the painting but is not annotated.
    Dorrie, Heinrich, 100 Great Problems of Elementary Mathematics: Their History and Solution (1965), p. 267. There is an annotated figure here for another theorem of Desargues, the theorem of involution.
    Field, J. V., The Invention of Infinity: Mathematics and Art in the Renaissance (1997), pp. 190–206.
    Ivins, William M. Jr., Art & Geometry: A Study in Space Intuitions (1946), pp. 87–94.

    Location

    Currently not on view

    Credit Line

    Ruth Krauss in memory of Crockett Johnson

    date made

    1970

    ID Number

    1979.1093.38

    accession number

    1979.1093

    catalog number

    1979.1093.38

    Object Name

    painting

    Physical Description

    masonite (substrate material)
    wood (frame material)

    Measurements

    overall: 64 cm x 123.8 cm x 4.5 cm; 25 3/16 in x 48 3/4 in x 1 3/4 in

    See more items in

    Medicine and Science: Mathematics
    Science & Mathematics
    Crockett Johnson
    Art

    Data Source

    National Museum of American History

    Metadata Usage

    CC0

    Link to Original Record

    https://n2t.net/ark:/65665/ng49ca746a5-3872-704b-e053-15f76fa0b4fa

    Record ID

    nmah_694662

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    About

    Painting of a isosceles triangular shape with a rounded base. Shades progress from dark to lighter tints of purple to show pendulum motion

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