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Oral history interview with Sam Gilliam, 1989 Nov. 4-11

Archives of American Art

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
View Transcript for Oral history interview with Sam Gilliam, 1989 Nov. 4-11
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .

Object Details

interviewee

Gilliam, Sam

interviewer

Forgey, Benjamin F., 1938-

Subject

Downing, Thomas
Hopps, Walter
Krebs, Rockne
Corcoran Gallery of Art
District of Columbia Arts Center, Inc.
Jefferson Place Gallery
Coalition of Washington Artists
Washington Gallery of Modern Art (Washington, D.C.)
Washington Project for the Arts (D.C.)

Place of publication, production, or execution

United States

Physical Description

Sound recording: 4 Items, sound cassettes; 54 Pages, Transcript; Sound recording: 4 Items, sound cassettes; 54 Pages, Transcript

Summary

An interview of Sam Gilliam conducted 1989 Nov. 4-11, by Ben Forgey for the Archives of American Art. Gilliam speaks of his decision to come to Washington, D.C., from Louisville, Ky.; his shift from figurative painting to abstract painting; meeting Washington painters Robert Gates and Tom Downing; the "stature" of Tom Downing in the Washington art scene in the 1960s and Walter Hopps' role; influential exhibitions at the Jefferson Place Gallery and the Washington Gallery of Modern Art; being a Washington artist and a black artist; artist/teachers at American University; the Johnson Avenue Workshop grant; his relationship with Rockne Krebs; the history of the Washington Coalition of Artists; the Corcoran Gallery and the Washington Project for the Arts' relationship to Washington artists; his involvement with the District of Columbia Art Center; teaching; and his working methods. Gilliam also discusses various paintings, processes, materials, ideas and experiments at length. He recalls Gene Davis, Howard Mehring, Ken Noland, Morris Louis, Nesta Dorrance, Alma Thomas, Lou Stovall, Al Nodal, Jock Reynolds, Michael Botwinick, Willem de Looper, Paul Reed, and others.

Citation

Quotes and excerpts must be cited as follows: Oral history interview with Sam Gilliam, 1989 Nov. 4-11. Archives of American Art, Smithsonian Institution.

Funding

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Biography Note

Sam Gilliam (1933-2022) was a painter in Washington, D.C.

Provenance

These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Location Note

Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001

Record number

(DSI-AAA_CollID)11472
(DSI-AAA_SIRISBib)213260
AAA_collcode_gillia89

Type

Sound recordings
Interviews

Theme

African American

Data Source

Archives of American Art

Topic

Art -- Washington (D.C.)
Art -- Technique
Painting, Modern -- 20th century -- Washington (D.C.)
African American artists
African American painters

Theme

African American

Metadata Usage

Usage conditions apply

Record ID

AAADCD_oh_213260

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