Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Mass Mobilization

African Art Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

Object Details

Maker

Tunde Odunlade, born 1954, Nigeria

Series

Limited Edition Variable Artist's Proof

Label Text

The first half of the twentieth century gave rise to widespread experimentation with new media by Africa’s artists. Many of Nigeria’s artists, for example, explored new techniques, including oil painting and printmaking. As elsewhere on the continent, some of these artists received training at local and international art schools, while others were taught in community workshops offered by expatriate artists.
Modern African artwork addressed a range of subject matter, from political concerns of the day to depictions of a rapidly transforming landscape due to social and environmental changes.
A major artistic transformation occurred in Oshogbo, a Yoruba town in western Nigeria, in the early 1960s. Expatriates Susanne Wenger, Ulli Beier and Georgina Beier introduced new techniques and materials to Yoruba artists and urged them to find their own forms of expression. The workshops focused on printmaking but were intended to help participants learn to support themselves as artists.
Tunde Odunlade is a second-generation artist of the Oshogbo school. Like many of his peers, he practices in a diverse set of mediums such as painting, batik, print-making, hand-made paper and fiber work. Though he is most known for his intricate and highly-textured batiks that reflect upon Yoruba traditional adire cloth dying, his print-making, as seen here, reflects similar multi-layered aesthetics of Yoruba art and culture, drawing on modern and traditional daily life in Nigeria.
This 2012 limited edition print, Mass Mobilization, is from the Decades of Printmaking series, hand-picked by the artist over a four decade span of artistic creativity.

Description

One of seven (7) hand-colored prints of varying sizes from the artist’s Decades of Printmaking series, this print features multiple textures within different geometric shapes on a black background.

Provenance

Tunde Odunlade, 2012
Michael Imbimbo, San Antonio, 2012

Published References

Odunlade, Tunde. 2012. Four Decades of Printmaking. Exhibition brochure. San Antonio: Stone Metal Press.

Content Statement

As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.

Image Requests

High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/

Credit Line

Gift of Michael Imbimbo, Inc.

Date

2012

Object number

2012-12-1

Restrictions & Rights

Usage conditions apply

Copyright

© 2012 Tunde Odunlade

Type

Print

Medium

Linocut on paper

Dimensions

Sheet: 55.5 x 38 cm (21 7/8 x 14 15/16 in.)
Image: 45.1 x 29.8 cm (17 3/4 x 11 3/4 in.)

Geography

Nigeria

See more items in

National Museum of African Art Collection

Data Source

National Museum of African Art

Topic

geometric motif

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/ys7d07e5651-3376-405a-9799-94cb0f74b698

Record ID

nmafa_2012-12-1
arrow-up Back to top
Home
  • Facebook facebook
  • Instagram instagram
  • LinkedIn linkedin
  • YouTube youtube

  • Contact Us
  • Get Involved
  • Shop Online
  • Job Opportunities
  • Equal Opportunity
  • Inspector General
  • Records Requests
  • Accessibility
  • Host Your Event
  • Press Room
  • Privacy
  • Terms of Use