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Linguist staff

African Art Museum

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International media Interoperability Framework
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    Object Details

    Maker

    Fante artist
    Akan artist

    Label Text

    Rulers among the Fante and neighboring peoples generally communicate through royal spokesmen. Serving as intermediaries and advisors, these counselors hold positions of considerable authority that require loyalty, judgment and an impressive command of language, particularly proverbs.
    Such high-ranking individuals carry elaborately carved, gilded staffs of office that are topped with figural references to proverbs. Here, the finial depicts two men sitting at a table with food before them and invokes the well-known proverb "The food is for the one who owns it, not for the one who is hungry." It reinforces the notion that the throne belongs to the rightful heir, not to challengers who desire the office. It can also be applied more broadly to the inheritance of family wealth and responsibility.

    Description

    Wood staff, black in color, elaborately carved and accented with sections of gold leaf, topped by a wood finial covered with gold leaf and depicting two men seated on stools with a low table between them. One of the men has his hand poised over the food bowl that rests in front of them on the table. The finial is separately carved and fits into the top of the shaft; the shaft is carved in three parts which are attached through dowels. Decorative banding along the shaft is embellished with gold-leafing and has been touched-up with gold paint where the gold leaf has worn off.

    Provenance

    Sidi Camara, -- to ca. 1975
    Dimondstein Tribal Arts, ca. 1975 to 2004

    Exhibition History

    Good As Gold: Fashioning Senegalese Women, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 24, 2018-February 2, 2020; North Carolina Museum of Art, Raleigh, September 16, 2020-January 3, 2021

    Published References

    Maples, Amanda, Ashby Johnson, Marian, and Dumouchelle, Kevin D., 2018, Good As Gold, Washington, D.C.: NMAfA, Smithsonian, p. 19, illustrated p. 20

    Content Statement

    As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.

    Image Requests

    High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/

    Credit Line

    Museum purchase

    Date

    Mid-20th century

    Object number

    2004-11-1

    Restrictions & Rights

    Usage conditions apply

    Type

    Sculpture

    Medium

    Wood, gold foil

    Dimensions

    H x W x D: 162.6 x 15.9 x 5.7 cm (64 x 6 1/4 x 2 1/4 in.)

    Geography

    Ghana

    See more items in

    National Museum of African Art Collection

    Data Source

    National Museum of African Art

    Topic

    Status
    furniture
    Male use
    male

    Metadata Usage

    Usage conditions apply

    Link to Original Record

    http://n2t.net/ark:/65665/ys71ed7de13-6d00-4e05-8027-c80e0d8f5454

    Record ID

    nmafa_2004-11-1

    Discover More

    Butterfly necklace pendant

    Good as Gold

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