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The Lazy Hunters, and the Poisonous Wrestlers, Lizard Ghost and the Cobra

African Art Museum

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Object Details

Maker

Twins Seven-Seven, 1944-2011, born Nigeria

Label Text

Twins' imagination knew no bounds. He filled his works with fantastic creatures, creating a world with ties to Yoruba oral traditions, myths, religion and his own personal experiences. His paintings and prints are densely populated with figures that stand out from the background and seem to move towards the viewer. Each image is carefully outlined in ink and subtly uses complementary colors. It is not uncommon for him to include an English identification or explanation of the subject in the image, as in this painting with a placard which reads: THE LAZY HUNTERS and The POISNOUS WRESTLERS LIZARD Ghost & "The COBRA." Also included is his name and studio address.

Description

Painting on plywood of a giant lizard biting and clawing a snake and a group of small people in the lower right corner, with houses on the left side; overall painted patterns and ink outlines. A square sign in the center has the title and artist information: "THE LAZY HUNTERS and The POISNOUS WRESTLERS LIZARD Ghost & "The COBRA" Painting by Twins Seven Seven Box 68 OSHOGBO Twins Seven Seven 1967
Painting by Twins Seven Seven Box 68 OSHOGBO Twins Seven Seven 1967
Box 68 OSHOGBO Twins Seven Seven 1967
Twins Seven Seven 1967

Provenance

Mr. and Mrs. Sean Kelly, -- to 1975

Exhibition History

Artful Animals, National Museum of African Art, Smithsonian Institution, Washington, D.C., July 1, 2009-July 25, 2010
A Concrete Vision: Oshogbo Art in the 1960s, National Museum of African Art, Smithsonian Institution, Washington, D.C., January 23-October 22, 2000

Published References

Goodman, Elaine Sooy. 2009. "Warren M. Robbins and the Founding of the National Museum of African Art." Tribal Art XIII: 2 (51), p. 95, no. 21.
National Museum of African Art. 2000. A Concrete Vision: Oshogbo Art in the 1960s. Exhibition booklet. Washington, D.C: National Museum of African Art, Smithsonian Institution (not illustrated).
Phaidon (eds). 2007. 30,000 Years of Art: The Story of Human Creativity Across Time and Space. London, New York: Phaidon Press, p. 987.
Potter, Polyxeni. 2010. "There Is Always Something New Out of Africa." Emerging Infectious Diseases 16 (7), cover.

Content Statement

As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.

Image Requests

High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/

Credit Line

Gift of Mr. and Mrs. Sean Kelly

Date

1967

Object number

75-28-3

Restrictions & Rights

Usage conditions apply

Type

Painting

Medium

Ink, paint, and chalk on plywood

Dimensions

H x W: 124.5 x 78.1 cm (49 x 30 3/4 in.)

Geography

Nigeria

See more items in

National Museum of African Art Collection

Data Source

National Museum of African Art

Topic

snake
lizard

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/ys772503289-17ff-4eda-b2d0-58326c2e5aba

Record ID

nmafa_75-28-3

Discover More

the word Love with L O stacked over V E

1967: A Year in the Collections

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