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Kneeling winged monster

Asian Art Museum

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International media Interoperability Framework
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Object Details

Label

This pillar base in the shape of a guardian-demon originally belonged to the same cave-temple that F1953.87 was taken from in the early twentieth century. Probably this object was removed from China around the same time as the other one, in 1916, and when it surfaced on the art market in the 1950s, the Freer Gallery of Art purchased it. This figure was taken from a flat sidewall, while the angled base of the other guardian-demon (F1953.87) indicates that it was originally positioned at the lower corner of the central pillar in the cave.

Provenance

Originally located in the North Cave, northern Xiangtangshan, Hebei province, China [1]
From at least 1950 to 1953
C. T. Loo & Company, New York, from at least April 27, 1950 [2]
From 1953
Freer Gallery of Art, purchased from C. T. Loo & Company on July 10, 1953 [3]
Notes:
[1] The removal of the sculpted figures and fragments from the Xiangtangshan caves began ca. 1909 at the time of political upheaval in China and continued throughout several decades, see http://xts.uchicago.edu/, accessed on November 9, 2009. See also J. Keith Wilson and Daisy Yiyou Wang, "The Early-Twentieth-Century 'Discovery' of the Xiangtangshan Caves," in Katherine R. Tsiang et al., Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan, exh. cat. (Chicago: Smart Museum of Art; Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution, 2010), pp. 106-129 and Katherine R. Tsiang and J. Keith Wilson, "Catalogue of Works in the Exhibition," in Katherine R. Tsiang et al., Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan, 2010, pp. 180-181, cat. no. 11 (ill.).
[2] See C. T. Loo's letter to Archibald Wenley, dated April 27, 1950, in which Loo discusses shipping the sculpture along with F1953.87 to the Freer Gallery, and "List of Objects Shipped to the Freer Gallery of Art", attached to the letter, copy in object file.
See also Loo's stockcard no. NN: "Two stone sculptures, Demons," Frank Caro Archives, Institute of Fine Arts, New York University, copy in object file.
[3] See C. T. Loo's invoice, dated July 10, 1953, copy in object file.

Collection

Freer Gallery of Art Collection

Exhibition History

Promise of Paradise (October 14, 2017 - ongoing)
Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan (February 26, 2011 to January 6, 2013)
Chinese Buddhist Sculpture in New Light (April 14, 2002 to September 8, 2003)
A Decade of Discovery: Selected Acquisitions 1970-1980 (November 9, 1979 to May 22, 1980)
Korean Ceramics (April 11, 1978 to October 13, 1978)
Untitled Exhibition, North Corridor (November 20, 1969 to December 11, 1984)
Chinese Art (January 1, 1963 to March 6, 1981)
Centennial Exhibition, Gallery 17 (November 17, 1955 to January 1, 1963)
Stone Sculpture, Gallery 17, 1923 (May 2, 1923 to November 17, 1955)
Untitled Exhibition, Asian Sculpture, North Corridor (May 2, 1923 to October 28, 1955)

Previous custodian or owner

C. T. Loo & Company (1914-1948)

Credit Line

Purchase — Charles Lang Freer Endowment

Date

550-577

Period

Period of Division, Northern Qi dynasty

Accession Number

F1953.86

Restrictions & Rights

Usage conditions apply

Type

Sculpture

Medium

Limestone relief

Dimensions

H x W x D: 80.5 x 55.7 x 30.5 cm (31 11/16 x 21 15/16 x 12 in)

Origin

Northern Xiangtangshan, North Cave, Hebei province, China

On View

West Building (Freer Gallery of Art), Gallery 17: Promise of Paradise

Related Online Resources

Google Arts & Culture

See more items in

National Museum of Asian Art

Data Source

National Museum of Asian Art

Topic

stone
Buddhism
relief seal
demon
Period of Division (220 - 589)
Northern dynasties (386 - 581)
Northern Qi dynasty (550 - 577)
temple
cave
China
Chinese Art
monster

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/ye3e9af1a22-2eff-4612-b4c9-7883db5817ac

Record ID

fsg_F1953.86

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