Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Hot Chocolates

American Art Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

    Object Details

    Artist

    Theresa Bernstein, born Cracow, Austro-Hungarian Empire (now Kraków, Poland) 1890-died New York Cit

    Luce Center Label

    Theresa Bernstein often painted urban scenes and everyday people at play throughout the 1920s, finding inspiration in New York’s music venues. The Hot Chocolates jazz revue started in a Harlem nightclub, Connie’s Inn, and then moved to Broadway’s Hudson Theatre. Over the course of its production, Hot Chocolates featured notable jazz performers Fats Waller, Edith Wilson, Cab Calloway, and Louis Armstrong in his Broadway debut. This painting’s lively composition and rich colors capture the syncopated elements of jazz, as well as the boisterous mood of the show itself. As Harlem Renaissance gossip columnist Geraldyn Dismond wrote in 1929, some parts of Hot Chocolates could "make even a flapper blush."

    Credit Line

    Smithsonian American Art Museum, Gift of Girard Jackson

    Date

    ca. 1919-1928

    Object number

    1998.128

    Restrictions & Rights

    Usage conditions apply

    Type

    Painting

    Medium

    oil on canvas

    Dimensions

    30 1/4 x 40 in. (76.8 x 101.6 cm.)

    See more items in

    Smithsonian American Art Museum Collection

    Department

    Painting and Sculpture

    On View

    Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 33B
    Smithsonian American Art Museum, Luce Foundation Center
    Smithsonian American Art Museum, Luce Foundation Center, 4th Floor

    Data Source

    Smithsonian American Art Museum

    Topic

    Figure group
    African American
    Performing arts\theater\performer
    Recreation\theater
    Architecture Interior\civic\theater

    Metadata Usage

    Not determined

    Link to Original Record

    http://n2t.net/ark:/65665/vk713df8b00-ce09-4fb1-817f-8dc204a42a42

    Record ID

    saam_1998.128

    Discover More

    deco clock

    1928: A Year in the Collections

    Jazz Cover Art

    Jazz Photography

    Jazz Portraiture

    Paintings Featuring African American Musicians

    Yellow Calla

    American Women Artists

    Tropes de Teens

    Jazzed About Art

    Jazz and Blues

    arrow-up Back to top
    Home
    • Facebook facebook
    • Instagram instagram
    • LinkedIn linkedin
    • YouTube youtube

    • Contact Us
    • Get Involved
    • Shop Online
    • Job Opportunities
    • Equal Opportunity
    • Inspector General
    • Records Requests
    • Accessibility
    • Host Your Event
    • Press Room
    • Privacy
    • Terms of Use