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A horse and groom

Asian Art Museum

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International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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Object Details

Artist

Sheikh Muhammad Amir (19th century)

School/Tradition

Company school

Label

Sheikh Muhammad Amir of Karraya (a suburb of Calcutta), the greatest of the Calcutta Company School painters, specialized in portraying the domestic lives of the British in India. Collected in albums, his paintings record prized possessions and testify to British efforts to recreate their customs in an unfamiliar land.
The renowned artist's most powerful paintings are those that depict horses and grooms. Although the subject is traditional--court painters had long produced images of favorite horses for Indian royalty--the accomplished shading and textures, accurate anatomy, and cast shadows evince Sheikh Muhammad Amir's mastery of the new style. Here, his subtle balance of emphatic silhouette with exquisite detail results in a refined image with an almost disturbing air of stillness.

Provenance

Ca. 1840-?
Unidentified individual, probably British, probably purchased or commissioned from the artist, Sheikh Muhammad Amir (19th century) in India [1]
?-1974
Ownership information unknown
1974
Sale, London, England, Hartnoll & Eyre, Ltd. (active 1968-1979), “Company Paintings India 19th Century,” April 8-May 3, 1974, no. 28 [2]
1974-1999
Ownership information unknown
1999
Sale, London, England, Christie's, “Visions of India,” October 5, 1999, lot 114 [3]
From 1999
Arthur M. Sackler Gallery, purchased at October 5, 1999, Christie's Sale, London, England trough Terence McInerney Fine Arts, Ltd. (active 1990-2013), New York, NY [4]
Notes:
[1] See the artist’s signature in the lower right.
See also Milo Beach, “The Imperial Image: paintings from the Mughal Court” (Washington, DC and Ahmedabad: Freer Gallery of Art and Arthur M. Sackler Gallery and Mapin International, Inc., 2012), pp. 191-192, cat. 61. This object was probably produced for a British individual, and it was probably taken to the United Kingdom during the nineteenth century. Sheikh Muhammad Amir produced individual images and sets of pictures both on commission and for the open commercial market.
[2] See Christie’s, “Visions of India” [auction catalogue], (London, England: Christie’s, October 5, 1999), lot 114, ill. Object is described as “A horse and groom.” Also described as having been exhibited at the Hartnoll & Eyre, Ltd. sale, “Company Paintings India 19th Century,” April 8-May 3, 1974, as no. 28.
Hartnoll & Eyre, Ltd. (active 1968-1979) in London, England was a partnership of Julian Hartnoll and Giles Eyre. The firm was located at 39 Duke Street and specialized in 19th century European drawings and paintings. Following the retirement of Hartnoll in September 1979, Eyre and Niall Hobhouse formed the partnership, Eyre & Hobhouse Ltd. (active 1979-ca. 1983). Eyre & Hobhouse Ltd. continued at the 39 Duke Street location but specialized in European eighteenth and nineteenth century artists working in the Middle East, India, Africa, Southeast Asia, China, and the former West Indies.
[3] See note 2. See also invoice number A103731/01 from Christie’s, undated (ca. October 13, 1999), copy in object file.
[4] See Arthur M. Sackler, “Acquisition Consideration Form,” approved on October 4, 1999, copy in object file.
See also invoice from Terence McInerney Fine Arts, Ltd., New York, NY, dated October 8, 1999, copy in object file.
Research updated September 20, 2023

Collection

National Museum of Asian Art Collection

Exhibition History

Changing Tastes: Indian Paintings of the 18th and 19th Century (December 17, 2000 to July 15, 2001)
Company Paintings India 19th Century (April 8 to May 3, 1974)

Previous custodian or owner

Hartnoll & Eyre, Ltd. (active 1968-1979)

Credit Line

Purchase — Smithsonian Unrestricted Trust Funds

Date

ca. 1840

Accession Number

S1999.121

Restrictions & Rights

Usage conditions apply

Type

Painting

Medium

Opaque watercolor, pencil and ink with touches of white and gum arabic

Dimensions

H x W: 28 x 44.5 cm (11 x 17 1/2 in)

Origin

Kolkata (Calcutta), West Bengal state, India

Related Online Resources

Google Arts & Culture

See more items in

National Museum of Asian Art

Data Source

National Museum of Asian Art

Topic

horse
India
South Asian and Himalayan Art

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/ye37949e2e3-596b-44b2-9753-481ea79acab0

Record ID

fsg_S1999.121

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