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Headrest

African Art Museum

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Object Details

Maker

Tsonga artist

Label Text

This delightful headrest incorporating the figure of an elephant is unusual in both its representation and large size. It derives from a Tsonga aesthetic tradition of carving headrests with animal figures. Widely used by Tsonga cattle herders before the turn of the century, these headrests were portable and functional personal objects meant to protect elaborate hairstyles.
The size of this headrest, the expression on the elephant's face, and the lack of signs of use suggest it might have been produced for sale to Europeans. Only two other comparable headrests exist; both are in the Rijksmuseum in Holland. So close in style are the three headrests that it seems possible that they were produced by the same hand or workshop. Rogier Bedaux, curator of African Collections at the Rijksmuseum, states that the headrests in their collection originated in Marabastad, in the northwest Transvaal region of South Africa, and were collected before 1890. If it had been produced for an outside market, this headrest would be a remarkably early example of "tourist" art.

Description

Headrest attached to an elephant with a short legged, elongated body.

Provenance

Unknown maker; left Tsonga community before 1890 under unknown circumstances; acquired by private collector, Germany, unknown date; sold to Michael Graham-Stewart (born ?), London, unknown date; sold to the National Museum of African Art, 1991.

Exhibition History

Artful Animals, National Museum of African Art, Smithsonian Institution, Washington, D.C., July 1, 2009-July 25, 2010
Elephant: The Animal and Its Ivory in African Culture, Fowler Museum of Cultural History, University of California, Los Angeles, September 25, 1992-June 1, 1993
Art of the Personal Object, National Museum of African Art, Smithsonian Institution, Washington, D.C., September 24, 1991-April 9, 2007

Published References

Mellor, S. 2007. From Delicious to Not Quite Right: Subtleties in Discerning the Authenticity of African Art. Objects Specialty Group Postprints, Volume 14 CD. Washington, DC: American Institute for Conservation of Historic and Artistic Works, p.23, no.25.
National Museum of African Art. 1999. Selected Works from the Collection of the National Museum of African Art. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 175, no. 130.
Ross, Doran (ed). 1992. Elephant: The Animal and Its Ivory in African Culture. Los Angeles: Fowler Museum of Cultural History, University of California, p. 12, no. 1-20.

Content Statement

As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.

Image Requests

High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/

Credit Line

Museum purchase

Date

ca. 1890

Object number

91-14-1

Restrictions & Rights

Usage conditions apply

Type

Decorative Arts

Medium

Wood

Dimensions

H x W x D: 14.6 x 53.7 x 8.3 cm (5 3/4 x 21 1/8 x 3 1/4 in.)

Geography

vicitnity of Fort Marabastad, Limpopo Province, South Africa

See more items in

National Museum of African Art Collection

Data Source

National Museum of African Art

Topic

elephant
male

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/ys715e2f4b9-5167-4358-bbaf-6126ab3f4f09

Record ID

nmafa_91-14-1

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