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Face mask

African Art Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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Object Details

Maker

Dogon artist

Label Text

Traditionally Dogon masks are controlled by the Awa society, a group of predominantly male initiates who conduct the public rites that insure the transition of the dead into the spirit world. A large number of masks participate in Dogon funerary rites and the dama, a celebration at the end of mourning. The masks also appear in the sigui, a celebration held only every 60 years to mark the change in generations.
There are more than 70 different Dogon masks, which can be grouped according to medium, whether fiber or wood; subject, whether animal, human or abstract; and character, whether predatory or nonpredatory. This wood mask is nonpredatory, a rabbit. The rabbit has the role of the trickster in Dogon folklore--is cunning, able to defy the hunter--and possesses magical substances. The mask appears in a pantomime with the hunter mask and in its own rapid dance that is marked by distinctive high stepping and the crossing of one leg diagonally before the other.

Description

Wood face mask representing a hare with flat rectangular face broken by rectangular recesses, containing rectangular cut out eyes. Erect ears on top of head and curved ears on sides of head. Small projection between top ears. Overall traces of red pigment, dark dots, traces of bright blue.

Provenance

Emil J. Arnold, New York, -- to 1968

Exhibition History

African Sculpture, Princeton University Art Museum, February 2-March 14, 1971, no. 5

Published References

Museum of African Art. 1971. African Sculpture at Princeton University from the Museum of African Art. Washington, D.C.: Museum of African Art, p. 4, no. 5.

Content Statement

As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.

Image Requests

High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/

Credit Line

Gift of Emil Arnold

Date

Mid 20th century

Object number

68-36-222

Restrictions & Rights

Usage conditions apply

Type

Mask

Medium

Wood, pigment, paint

Dimensions

H x W x D: 40.6 x 15.6 x 10.5 cm (16 x 6 1/8 x 4 1/8 in.)

Geography

Mali

See more items in

National Museum of African Art Collection

Data Source

National Museum of African Art

Topic

Funerary
Initiation
rabbit
Male use
male

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/ys7b378fe0a-d6ed-4d58-a7bb-e906478b1c18

Record ID

nmafa_68-36-222

Discover More

Year of the Rabbit postage stamp

2023: Year of the Rabbit

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