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Emma Embury

Portrait Gallery

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Object Details

Artist

Jacob Hart Lazarus, 1822 - 1891

Copy after

Henry Inman, 28 Oct 1801 - 17 Jan 1846

Sitter

Emma Catherine Embury, 1806 - 1863

Exhibition Label

Born New York City
Emma Catherine Embury gained great popularity as the author of more than four hundred stories, poems, and essays that emphasized moral lessons and the virtues of domesticity. In the foreword to Embury’s collected poems, her daughter, Anne K. Sheldon, noted that her “impassioned earnestness, her scorn of injustice, [and] her quick sympathy with the oppressed, found expression in her poems, and [runs] like an electric thread throughout them.” Despite her literary career and support for female education, Embury believed women were best suited as wives and mothers and strongly opposed the contemporary women’s rights movement.
In the early 1830s, Henry Inman painted Embury and her husband, Daniel Embury, a successful New York banker. According to Edgar Allan Poe, Inman successfully captured Emma Embury’s “intellectual and expressive” nature. Decades later, Jacob Hart Lazarus completed this copy of the original portrait for the Embury family. The direct gaze and confident pose bear out Poe’s assessment.
Nacida en la Ciudad de Nueva York
Emma Catherine Embury alcanzó gran popularidad con más de 400 cuentos, poemas y ensayos que destacaban lecciones morales y las virtudes de la domesticidad. En la edición de sus poemas completos, su hija, Anne K. Sheldon, señaló que “su efusiva sinceridad, su repudio de la injusticia y su inmediata empatía con los oprimidos encontraron expresión en sus poemas, y [fluyen] por ellos como una carga eléctrica”. A pesar de su carrera literaria y su apoyo a la educación femenina, Embury creía que las mujeres debían ser ante todo esposas y madres, y se opuso al movimiento feminista de su tiempo.
A principios de la década de 1830, Henry Inman pintó a Embury y a su esposo Daniel Embury, exitoso banquero de Nueva York. Edgar Allan Poe comentó que Inman había logrado captar el carácter “intelectual y expresivo” de ella. Décadas más tarde, Jacob Hart Lazarus hizo esta copia del retrato original para la familia de Embury. La mirada directa y la pose confiada respaldan el juicio de Poe.

Provenance

The artist; Daniel Embury; by family descent to Mrs. Richard Embury Neff

Credit Line

National Portrait Gallery, Smithsonian Institution; gift of Richard B. Neff, Jr. in honor of Joan Russell Neff and James Townsend Russell, Jr.

Date

1866

Object number

NPG.2016.23

Restrictions & Rights

CC0

Type

Painting

Medium

Oil on canvas

Dimensions

Stretcher: 76.8 × 63.5 × 3.2 cm (30 1/4 × 25 × 1 1/4")
Frame: 108.6 × 94.6 × 8.3 cm (42 3/4 × 37 1/4 × 3 1/4")

Place

United States\New York\Kings\New York\Manhattan Island

See more items in

National Portrait Gallery Collection

Exhibition

Out of Many: Portraits from 1600 to 1900

On View

NPG, East Gallery 112

Data Source

National Portrait Gallery

Topic

Costume\Jewelry\Necklace
Emma Catherine Embury: Female
Emma Catherine Embury: Arts and Culture\Literature\Writer\Poet
Emma Catherine Embury: Arts and Culture\Journalism and Media\Journalist
Emma Catherine Embury: Arts and Culture\Society Figure\Socialite
Portrait

Metadata Usage

CC0

Link to Original Record

http://n2t.net/ark:/65665/sm4dbe634c0-56a3-4288-be4f-0687f198c5eb

Record ID

npg_NPG.2016.23

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